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| 從《西遊記》人物設計上看主旨=The Theme of Journey to the West as Reflected in the Design of the Main Characters | ||
| 作者 | 王心劍 (著)=Wang, Xin-jian (au.) |
|---|---|
| 出處題名 | 西安石油大學學報 (社會科學版)=Journal of Xi'an Shiyou University (Social Science Edition) |
| 卷期 | v.11 n.3 |
| 出版日期 | 2002.08 |
| 頁次 | 75 - 77 |
| 出版者 | 西安石油學院 |
| 出版者網址 | http://www.xapi.edu.cn/ |
| 出版地 | 西安, 中國 [Xi'an, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 全文下載: 中國期刊網－文史哲輯專欄目錄 |
| 關鍵詞 | 西遊記=Journey to the West; 人物設計=character design; 主旨=theme |
| 摘要 | 論證了《西遊記》這部小說裏的幾個主要人物的設計都是為了完成作者的意圖和意志，每個人物都有佛學寓意，都承擔著實現小說主旨的使命。唐僧師徒五人被作者用金、木、水、火、土五行學說構成五位一體，取其相生相勝之理；同時又把唐僧喻為「元神」，孫悟空喻為「心猿」，豬八戒喻為「情」，沙僧喻為「性」，白龍馬喻為「意馬」，主要原因是取佛學修煉的五個法門，意在通過心猿意馬，性和情的改造，使得一心向佛的元神完成成佛大道。小說這種五位一體的人物形象設計，寄託著作者企圖改造社會，改造國民的理想。 The main characters in Journey to the West are designed to show the author's intention and will, as each character is endowed with its Buddhistic significance and its mission of representing the theme. The five main characters are made a whole in the light of the five-element theory and the generation-inhibition doctrine. Meanwhile, the Tang Priest is compared to the Vital Spirit; Sun Wukong (Monkey) to the Heart-Ape; Zhu Bajie(Pig) to the Feelings; Friar Sand to the Nature; and the White-Dragon Horse to the Mind-Horse. The main reason is that in light of the five approaches to Buddhist practice, the success of the Vital Spirit who devotes himself to Buddhism and eventually becomes a Buddha, is achieved by virtue of the Heart-Ape and the Mind-Horse, and the transformation of the Nature and the Feelings. On the design of these characters is placed the author's ideal of transforming the society and the national character. Therefore, this is a novel of strong intention and Buddhistic significance. |
| ISSN | 10085645 (P) |
| 點閱次數 | 402 |
| 建檔日期 | 2005.01.14 |
| 更新日期 | 2020.03.13 |
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