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| 祛累與主體性的升揚 ── 漢魏六朝文人藝術化生命狀態研究=Dispelling of "Lei" and Sublimity of Subjective Quality: Study on the Condition of the Artistic Life of the Scholars in Liu Chao Dynasty | ||
| 作者 | 趙樹功 =Zhao, Shu-gong |
|---|---|
| 出處題名 | 廊坊師範學院學報=Journal of Langfang Teachers College |
| 卷期 | v.20 n.1 |
| 出版日期 | 2004.03 |
| 頁次 | 56 - 60 |
| 出版者 | 廊坊師範學院 |
| 出版者網址 | http://www.lfsfxy.edu.cn/ |
| 出版地 | 河北, 中國 [Hopei, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 全文下載: 中國期刊網－文史哲輯專欄目錄 |
| 關鍵詞 | 祛累=dispelling of "Lei"; 生命狀態=the state of life; 主體性=subjective quality |
| 摘要 | 累是產生於道家的一個觀念。中古時期，由於玄學、佛學的流行，使之得以強化。累的被感知，激發了當時文人祛累的追求。其重要的表現，一是通過詩文，對祛累表現出暢想；另外，文人們的這種努力又表現為個性的凸顯。具體到祛累的途徑，包含有佛、道之以理遣累，而最為文人崇尚的具有審美意義的途徑則是寄託。在祛累的追求裏，中古文人的主體性得到極大的升揚。 "Lei" is a conception coming from Taoism. It was strengthened because of the popularity of the Metaphysicals and the Buddhism in the mid-ancient times. The recognition of "lei" made the scholars seek to getting rid of it, the important reflections are the followings: one is the imagining thought of dispelling "Lei" through the poems and articles, the other is the pursuit of their personalities. The specific approaches include dispelling "Lei" by reasons of Taoism and Buddhism. The aesthetic one favored by the scholars is the sustenance. In dispelling "Lei", subjective qualities of the scholars in the mid-ancient time are greatly sublimed. |
| ISSN | 16711416 (P) |
| 點閱次數 | 249 |
| 建檔日期 | 2004.01.07 |
| 更新日期 | 2020.04.24 |
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