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| 禪境與藝境 -- 論王維的宗教體驗與審美體驗=Chan Atmosphere and Artistic Atmosphere: On Wang Wei's Religious and Aesthetic Experiences | ||
| 作者 | 尹亦農 (著)=Yin, Yi-nong (au.) ; 楊新民 (著)=Yang, Xin-min (au.) |
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| 出處題名 | 內蒙古大學學報 (哲學社會科學版)=Journal of Inner Mongolia University (Humanities and Social Sciences) |
| 卷期 | v.35 n.1 |
| 出版日期 | 2003.01 |
| 頁次 | 94 - 98 |
| 出版者 | 內蒙古師範大學 |
| 出版者網址 | http://nmsdxb.imnu.edu.cn/index.asp |
| 出版地 | 呼和浩特, 中國 [Huhhot, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位： 尹亦農：中國人民解放軍砲兵指揮學院；楊新民：內蒙古大學人文學院 |
| 關鍵詞 | 王維=Wang Wei; 山水田園詩=landscape poetry; 宗教體驗=religions experience; 審美體驗=aesthetic experience |
| 摘要 | 王維的許多詩作，特別是他晚年所創作的山水田園詩，極富禪理禪趣。從這些作品中，我們可看出禪宗對王維詩歌創作的深刻影響，王維常把宗教體驗轉化為一種審美體驗，從而創造出神入化，又飽含禪宗神韻的千古佳句。王維之所以能把宗教體驗轉化為審美體驗，一是得益於其藝術家兼佛教徒的特殊身分，二是與其對解脫方式的認識有一定關係。 Most of Wang Wei's poetry, especially the landscape poetry in his later years, is full of interest and theory of Buddhism. According to these works, the deep influence of Buddhism and Chan Sect on the creativity of Wang Wei's poetry can be found. Wang Wei can frequently convert a religious experience into an aesthetic experience so as to creat some eternal superb lines with full romantic charm. In terms of Wang Wei's own accomplishments and circumstances, the paper suggests that the conversion from Wang Wei's religious experience into his aesthetic experience attributed to two points. One is about his special status of both artist and believer of Buddhism and the other point is about his understanding of the way of extrication. |
| ISSN | 10005218 (P) |
| 點閱次數 | 335 |
| 建檔日期 | 2004.05.28 |
| 更新日期 | 2020.02.03 |
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