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| Saving the Soul in Red China: Music and Ideology in the Gongde Ritual of Merit in Fujian | ||
| 作者 | Tan, Hwee-San (著) |
|---|---|
| 出處題名 | British Journal of Ethnomusicology |
| 卷期 | v.11 n.1 |
| 出版日期 | 2002 |
| 頁次 | 119 - 140 |
| 出版者 | British Forum for Ethnomusicology |
| 出版者網址 | http://www.bfe.org.uk |
| 出版地 | Milton Keynes, UK [米爾頓凱恩斯, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Author Affiliations: Ph.D., SOAS, University London; Lecturer (2001-2002), Ethomusicology, University of Durham; Post=doctoral fellowship, Chiang Ching-kuo Foundation, Taiwan. |
| 關鍵詞 | Buddist music |
| 摘要 | In China, a commemorative ritual for the dead, known in Minnan (southern Fujian) as Gongde, may be performed by Buddhist, Daoist or lay ritual specialists. Commercialism and syncretism with popular beliefs over time have long since led institutional Buddhists to frown upon its performance by their own members. Since the 1980s, the government‐mandated religious reform has provided the institutional Buddhists with an opening to reinvent the Gongde tradition. This change, I argue, is due in part to state control and in part to the Buddhists ‘ redefinition of ideological orthodoxy, the basis of which lies in a Buddhist reform movement of the early twentieth century. Change in the Gongde has a definite impact on music, a fundamental component in ritual. This paper examines how political and ideological forces serve as coercive and enabling factors influencing the meanings of Gongde and its music. |
| 目次 | Introduction 119 Gongde in Fujian province 121 Traditional elements in Gongde 123 Gongde in the contemporary milieu 124 Music in Gongde 126 Musical change in Gongde 132 Political and ideological forces 133 Conclusion 138 Bibliography 139 Note on the author 140 |
| ISSN | 09681221 (P) |
| DOI | https://doi.org/10.1080/09681220208567331 |
| 點閱次數 | 288 |
| 建檔日期 | 2003.09.19 |
| 更新日期 | 2024.09.16 |
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