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| 宗密與鈴木大拙--由兩篇論文比較其核心思想=Tsung-mi and D.T. Suzuki—Comparison of Central Conceptions in Two Theses | ||
| 作者 | 尤昭良 (著)=Yu, Chao-liang, Calvin (au.) |
|---|---|
| 出處題名 | 東吳哲學學報=Soochow Journal of Philosophical Studies |
| 卷期 | n.6 |
| 出版日期 | 2001.06 |
| 頁次 | 151 - 182 |
| 出版者 | 東吳大學哲學系 |
| 出版者網址 | http://webimage.idc.scu.edu.tw/webdev/website/index4.asp?Unit_ID=97 |
| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 國立台灣師範大學美術研究所碩士, 中國文化大學哲學研究所博士生 |
| 關鍵詞 | 宗密=Tsung-mi; 鈴木大拙=D.T. Suzuki; 一心二門=yi-hsin-erh-men; 般若邏輯=the logic of prajna-intuition; 般若直觀=prajna-intution; 禪=zen=ch'an; 困思邏輯=paradoxical logic; 華嚴; Shu-mitsu |
| 摘要 | 現代禪學大師鈴木先生曾推許華嚴五相兼禪學論師宗密[將<知>視為眾妙之門]. 本文即是由此線索來探討宗密與鈴木之可能關係 . 本文即是由此線索來探討宗密與鈴木之可能關係. 本文於比較此兩位禪師各自具代表性的文章之基本論述後指出： 1. 此兩者皆具[一心二門]的思維方式. 宗密的[知]乃是通貫[一心二門]的直接動力與重要關鍵; 鈴木的[般若直觀]與[般若邏輯]乃是[一心二門]的直接表述與現代發揮. 2. 就建構[一心二門]的方式，此二者皆強調[覺]在[一心二門]中的重要性. 3. 就[為文意向]而言，此二者各自之文章皆以[一心二門]的基礎思維方式建構其融合異說的理論. 宗密旨在融合唐朝諸禪門與各教派間之爭端. 鈴木則意圖融合現代東. 西方文明的差異. 綜合以上，本文首度論證宗密對鈴木的實質影響. By comparing two of their essential theses, the author find some striking similarities between two great zen scholars. Tsung-mi’s (780-841) scentral conceptions is “chih” (知) and D.T. Suzuki’s (1870-1966) “prajna-intuition”. Noting the parallel points of these two important ideas, the author argues the following. Firstly，both central conceptions are similarly derived from the same dialectical viewpoint named “yi-hsin-erh-men”(一心二門) ：the former is a classical traditional Chinese exemplification，while the latter is an innovative modern Japanese interpretation. Secondly，both masters emphasize that the essence of their central conceptions is “enlightenment”(覺) ，which plays the key role in both their theoretical systems. Thirdly，based upon “yi-hsin-erh-men” pattern，both masters construct their theories of culture synthesis respectively. Tsung-mi attempts to establish his integration and communication theory among different Buddhist sects in Tang Dynasty. Suzuki proposes a theory for synthesizing East and West cultures in modern world. In conclusion，the author justifies for the first time that Tsung-mi has a substantial impact on Suzuki. |
| ISSN | 10100725 (P); 10100725 (E) |
| 點閱次數 | 316 |
| 建檔日期 | 2003.09.12 |
| 更新日期 | 2019.10.04 |
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