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| Poetics of Mahayana Sutras(Based on Analysis of Samadhiraja Sutra)=大乘經典中的詩學(《三昧王經》的分析) | ||
| 作者 | Grokhovski, Pavel Leonovich |
|---|---|
| 出處題名 | The Fourth Chung Hwa International Conference on Buddhism: The Role of Buddhism in the 21st Century=第四屆中華國際佛學會議 -- 「佛教與廿一世紀」 |
| 出版日期 | 2002.01.20 |
| 出版者 | 中華佛學研究所=The Chung-Hwa Institute of Buddhist Studies |
| 出版地 | 臺北縣, 臺灣 [Taipei hsien, Taiwan] |
| 資料類型 | 會議論文=Proceeding Article |
| 使用語言 | 英文=English |
| 附註項 | The Fourth Chung Hwa International Conference on Buddhism：The Role of Buddhism in the 21st Century, Organized by Chung-Hwa Institute of Buddhist Studies, DDMBA; January 18-20, 2002, Auditorium of Acemic Activity Center, Acemia Sinica. 第四屆中華國際佛學會議 -- 「佛教與廿一世紀」, 法鼓山中華佛學研究所主辦, 2002年1月18-20日, 中央研究院學術活動中心. |
| 關鍵詞 | Buddhism in 21st Century; 佛教與廿一世紀; Sutra; Canon; Poetics; Textual Practices; Mahayana Vaipulya Literature; Fabula; Motive; Jataka; Hyperbola; Comparison; Cliche; Stock Phrase; Epithet; Suggestive Repeat; Subconscious; Text Meditation |
| 摘要 | Poetics of Buddhist Sutras is an important though rarely taken into account aspect of studying Buddhist texts. Buddhist texts are studied mainly as philosophical or religious documents, and also as sources of textual history. Still，the very nature of Buddhist textual practices determines many features of its copious products and clearly stands out as a most peculiar phenomenon in the textuality of this humankind. Compared to other secular and ecclesiastical traditions, Buddhist verbal texture (sutra is actually thread) is not that much a compendium of overt information，but rather an instrument of religious praxis. Based on the Samadhiraja Sutra, taken as a quite typical example of Mahayana Vaipulya literature，this study reveals some characteristic features of a Buddhist sutra, which are being listed below. The fabula of the sutra is a series of motives, which are both unique and repeated，which are related to certain protagonists and which form chains, or combinations. The Samadhiraja Sutra includes 13 jatakas, describing the Buddha practicing this sutra's teaching in his previous lives. Jatakas play the role of parables and aim at easier and more vivid and emotionally expressive cognition of the sutra's contents. In the stylistic sense，the Samadhiraja Sutra is characterized by the use of hyperbola, comparison. Another feature of the sutra's style is the abundance of cliches, stock phrases and epithets, as well as the pre-eminence of repeats, which must not appeal to the logical reasoning of the reader/listener，but aim at influencing his subconscious. 佛教經典主被當作哲學或宗教，及經典歷史來源的文獻來研究. 佛經中的詩學在佛典研究上，是個重要卻鮮少受到重視的一面. 儘管如此，佛教經典文體本質，決定了其大量作品的許多特色，且這個本質顯然成人類文本化最突出的現象. 與其他世俗或教會的傳統相較，佛經的詞語構造 (「經」事實上是「線」的意思) 不太是彰顯訊息的綱領，而無寧是宗教實踐的工具. 根據《三昧王經》，把它視為相當典型的大乘方等經文，本研究將揭示某些佛經特色如下: 佛經的格式是一連串的動機，獨特而重複，它關係到某些特定的主人翁，把他們串聯起來，形成組合. 《三昧王經》包括十三個本生談，描寫佛陀於過去生修習經中的法目. 本生扮演寓言的角色，目的是讓人更容易，更生動，且更充滿感情的理解佛經內容. 就文體來說,《三昧王經》以使用誇張法，比較法為特色. 另一個文體上的特色，是富於老生常談，成語和慣用的修飾語的用法，且語句的反覆用法明顯，這顯然不是為訴諸聽者或讀者的邏輯性思維，而意在影響他們潛意識. |
| 點閱次數 | 557 |
| 建檔日期 | 2002.02.15 |
| 更新日期 | 2016.08.18 |
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