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| Text, Orality and Dialogue: Re-centering of the Other World in Four Pien-Wen Stories | ||
| 作者 | 沈弘光 (著)=Shen, Gloria (au.) |
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| 出處題名 | Tamkang Review: a quarterly of comparative studies of Chinese and foreign literatures |
| 卷期 | v.22 n.1-4 |
| 出版日期 | 1991-1992.06 |
| 頁次 | 373 - 392 |
| 出版者 | 淡江大學西洋語文研究所 |
| 出版地 | 新北市, 臺灣 [New Taipei City, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 733 |
| 關鍵詞 | 沈弘光; Shen, Gloria; 變文; 佛教文學; 敦煌寫本; 本文; 口腔音; 對話; 口語敘述; 王昭君變文; 說書; Pien Wen; Buddhist Literature; Tun-Huang Manuscript; Text; Orality; Dialogue; Oral Narration; Wang Chao-Chun Pien Wen; Storytelling |
| 摘要 | Summary Traditional Buddhist story-telling or pien-wen has been viewed as the earliest phase of a popular oral tradition which later flowered into drama, the vernacular short story and the novel. But Pien-wen texts may be transitional，marking a stage between oral and written texts, if the storyteller was not "reciting" a text (as fixed form) but improvising on a remembered (not memorized) piece of fiction;in this case the pien ("transformation") would mean "performance" and pien-wen the "recording" of that performance. Here I attempt to show that the orally transmitted performance in four pien-wen stories is the result of a dialogue between the story-teller and his culture-，history- and situation-specific audience，and thus that these stories studied carefully together can reveal an alternative reality to that represented in/by the existing literary canon. |
| ISSN | 00492949 |
| 點閱次數 | 339 |
| 建檔日期 | 2001.02.26 |
| 更新日期 | 2016.08.24 |
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