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| Miscellanea del Cinquantenario; Die Stellung der Italienischen Avantgarde in der Entwicklung der Neuen Musik | ||
| 作者 | |
|---|---|
| 出版日期 | 1978 |
| 頁次 | 233 |
| 出版者 | Suvini Zerboni |
| 出版地 | Milan, Italy [米蘭, 義大利] |
| 資料類型 | 書籍=Book |
| 使用語言 | 英文=English; 義大利文=Italian; 德文=German |
| 附註項 | 290; Other titles：Miscellany for the 50th Anniversary; The Place of the Italian Avant-garde in the Development of New Music |
| 關鍵詞 | Congresses:Conferences;Austria;Graz;Avant-garde;Italy;Music;Instruments;Pedagogy;Illyes, Gyula;Bartok, Bela;Eimert, Herbert;Veress, Sandor;Dallapiccola, Luigi;Religious music;Tibet;Maderna, Bruno;Sociology;Politics; |
| 摘要 | Publishes in one volume a Festschrift for the 50th anniversary of the publishing house Edizioni Suvini Zerboni and the report on the congress held in 1975 at Graz，on the subject of the Italian avant-garde in the development of new music. Contains the following articles：Bruno BARTOLOZZI，Amalgami sonori strumentali [Blends of instrumental sounds]; Gerth-Wolfgang BARUCh, Schillers Jungfrau von Orleans und Verdis Giovanna d'Arco [Schiller's Jungfrau von Orleans and Verdi's Giovanna d'Arco]; Ruggero CHIESa, Le opere per liuto di Francesco da Milano [Works for lute by Francesco da Milano]; Luigi DALLAPICCOLa, Qualche nota in memoria di Gian Francesco Malipiero (18 marzo 1882 -- 1 agosto 1973) [Some notes in memory of Gian Francesco Malipiero (18 March 1882-1 August 1973); Roberto GOITRE，Oltre la musica [Beyond music]; Gyorgi LIGETI，Un foglio degli schizzi della San Francisco polyphony [A folio of sketches for San Francisco polyphony]; Riccardo MALIPIERO，Pensieri d'un ramonte d'estate (1971) (sulla regio dell'opera in musica) [Thoughts on the passing of a summer (1971) (concerning the production of musical works)]; Goffredo PETRASSI，Ateliers di pittori [Painters' workshops]; Giovanni PIAZZa, L'Orff-Schulwerk alla luce della sua cronologia [Orff Schulwerk in light of its chronology]; Paolo RUZICSKa, Bartok sentito da Illyes [Bartok as perceived by Illyes]; Heinrich STROBEL，Hat die Musik noch eine Chance? [Does music have another chance?]; Otto TOMEK，Herbert Eimert (1897-1972). Ein Pionier der neuen Musik [Herbert Eimert (1897-1972); a pioneer of new music]; Ivan VANDOR，Elementi strutturali della musica del Buddismo Tibetano [Structural elements of the music of Tibetan Buddhism]; John S. WIESSMANN，The string quartets of Sandor Veress; Enrico RUBINI，Die Entwicklung der italienischen Musikwissenschaft nach 1945 unter dem Einfluss der zeitgenossischen Musik [The development of Italian musicology after 1945 as influenced by contemporary music]; Otto KOLLERITSCh, Uberlegungen zur italienischen Moderne [Considerations on the Italian moderns]; Jurg STENZL，Altes im Neuen der italienischen Musik nach 1941 [The old in the new from Italian music after 1941]; Roman VLAD，Der Beitrag der italienischen Avantgarde zum neuen Musiktheater [The contribution of the Italian avant-garde to new music-theater]; Wolfgang SCHREIBER，Prima la musica e poi le parole. Wort und Ton in der italienischen Nachkriegsavantgarde [First the music，then the words. Text and music in Italian postwar avant-garde]; Jacques WILDBERGER，Luigi Dallapiccolas gesellschaftlich engagier-te Musik [Luigi Dallapiccola's socially engaged music]; Volker SCHER-LIESs, Moglichkeiten moderner italianita. Zum Werk Luigi Dallapiccolas [Possibilities of modern Italian character：the work of Luigi Dallapiccola]; Horst WEBER，Form und Satztechnik in Bruno Madernas Streichquartett [Form and style in Bruno Madernas string quartet]; Boris PORENa, Neue Musik：Parole oder gesellschaftliche Funktion? [New music：catchword or social function?]; and Franco EVANGELISTI，Die musikalische Ruckent-wicklung in der Avantgarde [Musical retrogression in the avant-garde]. |
| 點閱次數 | 124 |
| 建檔日期 | 2001.05.15 |
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