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Ritual Opera and the Bonds of Authority：Transformation and Transcendence |
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| 作者 |
Judd, Ellen R.
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| 出處題名 |
Harmony and Counterpoint: Ritual Music in Chinese Context
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| 出版日期 | 1996 |
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| 頁次 | 226 - 248 |
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| 出版者 | Stanford U. |
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| 出版地 | Stanford, CA, US [史丹佛, 加利福尼亞州, 美國] |
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| 資料類型 | 期刊論文=Journal Article |
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| 使用語言 | 英文=English |
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| 附註項 | 290
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| 關鍵詞 | China;Dramatic Arts;Mu-lien;Religion;Religious music;Culture;Censorship;Suppression;Myth;Ceremony;Judd, Ellen R.; |
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| 摘要 | Performed in the past as part of the summer rites to exorcise hungry ghosts and purify the community，Mu-lien opera draws powerfully on images of filiality，karmic retribution，and Buddhist salvation. The lines dividing priest from actor and audience from performers are frequently demolished，framing and producing transformations and contradictions at the heart of the performance. Like their predecessors, socialist government officials attempt to control and limit the genre's audience and appeal. |
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| 點閱次數 | 161 |
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| 建檔日期 | 2001.05.14
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