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| ドラマの構成 : 『アンティゴネー』(中)=Der Bau des Dramas : Zum Verstandnis von Sophokles (2) | ||
| 作者 | 新田博衛 (著)=Nitta, Hiroe (au.) |
|---|---|
| 出處題名 | 美学=Aesthetics |
| 卷期 | v.26 n.1 |
| 出版日期 | 1975 |
| 頁次 | 1 - 9 |
| 出版者 | 美学会 |
| 出版者網址 | http://www.bigakukai.jp/ |
| 出版地 | 京都, 日本 [Kyoto, Japan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 日文=Japanese |
| 關鍵詞 | Aesthetics; Drama; Tragedy; Sophocles; Nitta, Hiroe |
| 摘要 | The purpose of this article is to point out some similar processes of the transition of space treatment in Japanese and western classic architecture，and to extract common formulae between their spatial developments. Japanese architecture in the seventh century，when it was influenced by Chinese and Korean architecture for the first time，possessed a sculpture-like character in its symmetrical planning and pyramidal arrangement. The character was the same in Greek architecture. Then，Japanese architecture became to possess a picture-like character. This transition was very similar to that from the Greek temple architecture to the roman one. One of the noticeable features in the course of these transitions is the similarity in treatments of the rear walls. Every "Shinto" shrine since the thirteenth century has the side-screens ("Waki-Shoji")，which have just the same character as the closing wall of the side-colonnades of some early roman temples. Roman sanctuaries, on the other side，often had the cloisters as Japanese ancient Buddhist temples and palatial buildings, and we can find all of three main types of Japanese cloisters in roman architecture. |
| ISSN | 05200962 (P); 24241164 (E) |
| DOI | 10.20631/bigaku.26.1_1 |
| 點閱次數 | 237 |
| 建檔日期 | 2001.02.23 |
| 更新日期 | 2022.07.22 |
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