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| 台灣佛教歌曲之曲調特性=The Melodic Traits of Taiwan Buddhist Chanting | ||
| 作者 | 郭長揚 (著)=Kuo, Chang-yang (au.) |
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| 出處題名 | 第二十四屆國際藝術與交流大會=Twenty-Fourth International Congress on Arts and Communications |
| 出版日期 | 1997.09.14 |
| 資料類型 | 會議論文=Proceeding Article |
| 使用語言 | 英文=English |
| 附註項 | 735; 會議地點：英國牛津; 主協辦單位：美國名人協會, 英國國際 名人中心 |
| 關鍵詞 | 郭長揚; Kuo, Chang-yang; 曲調分析; 佛教音樂=梵唄=Buddhist Music; 佛教吟誦; 曲調; 五聲音階; 台灣; Melodic Analysis; Buddhism Music; Buddhism Chanting; Melody; Pentatonic Scale; Taiwan |
| 摘要 | 1. Religious Characteristics The Buddhist chanting is desired to attain five good sounds：upright， elegant，pure，full and transmissive choral tones, with the melismatic voices to tranquilize the mind with solemnity and piety. 2. Practice of the Religious Chanting (1) Styles of chanting：The Buddhist group usually chant in unison or antiphone，and in syllabic or melismatic styles. (2) Musical mood：The relitgious chanting reveals moderate mood without the contrast of strong and weak voices, but generally sung in even dynamics. (3) Musical aesthetics：The tone quality and tonal feelings reveal simple， solemn and graceful flavor，but neglect the aesthetic concept of Western music. (4) Directions of melody：Melodies of the Buddhist chanting are not always following the textual intonation. The ending of a chant is usualy descending. (5) Oral tradition：The chanting is leaned through listening and oral practice without music notations. 3. The Total Characteristics of melodies (1) Pentatonic scale：The scale system is functionally in Pentatonic， though sometimes extra notes are used. (2) Simple Rhythm：In group chanting regular rhythm is used，while the solo has some free tempo. (3) Melodic patterns：In the Buddhist chanting，a certain melodic pattern is applied for setting different texts. (4) Musical Modes：Five Chinese Pentatonic modes are used. |
| 點閱次數 | 391 |
| 建檔日期 | 2001.02.21 |
| 更新日期 | 2016.08.03 |
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