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| Buddhism in Kurosawa' s Films: A Critical Analysis | ||
| 作者 | Jan, Feei-ching |
|---|---|
| 出版日期 | 1989 |
| 頁次 | 188 |
| 出版者 | California State University, Fresno |
| 出版者網址 | http://www.fresnostate.edu/ |
| 出版地 | Fresno, CA, US [弗雷斯諾, 加利福尼亞州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 碩士 |
| 校院名稱 | California State University, Fresno |
| 系所名稱 | School of Arts and Humanities |
| 指導教授 | Lane, Philip J. |
| 畢業年度 | 1989 |
| 附註項 | 445 |
| 關鍵詞 | Jpapnese Films, Films |
| 摘要 | The purpose of this study was to examine Akira Kurosawa's films in determining the nature and the extent to which they reflect Buddhism. Kurosawa's twenty-seven films were divided into four categories--classic drama, literature adaptation, adventure, and contemporary scene. Rashomon, Ran, Seven Samurai, and Ikiru were chosen for analysis from each of these categories, respectively. The major themes of Kurosawa's films--good and evil, heroism, humanism, and reality versus illusion--served as dependent variables. The universally accepted teachings of Gautama Buddha, augmented with Zen Buddhism, served as instruments of analysis. Thus, by means of comparison, The Four Noble Truths, karma, individual responsibility, interrelatedness of existence, and compassion were used to identify and illuminate the Buddhistic characteristics of Kurosawa's four chosen films. This study confirms that, insofar as these four films indicate, Kurosawa's films reveal a Buddhistic spirit. |
| 點閱次數 | 236 |
| 建檔日期 | 2000.01.29 |
| 更新日期 | 2016.05.11 |
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