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| Intertextuality in Thai Literary and Social Contexts: A Study of Contemporary Poets | ||
| 作者 | Boonkhachorn, Trisilpa |
|---|---|
| 出版日期 | 1992 |
| 出版者 | University of Michigan |
| 出版者網址 | https://umich.edu/ |
| 出版地 | Ann Arbor, MI, US [安娜堡, 密西根州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 博士 |
| 校院名稱 | University of Michigan |
| 系所名稱 | Comparative Literature |
| 指導教授 | Becker, A. L. |
| 畢業年度 | 1992 |
| 附註項 | 445 |
| 關鍵詞 | Thailand; Literary Theory |
| 摘要 | The application of the theory of intertextuality to contemporary Thai poetry is based on the hypothesis that intertextuality is a rich theory which opens a new path for studying literature to the core of its history. From an intertextual perspective, every text builds itself as a mosaic of quotations, and as an absorption and transformation of other texts. The earlier text opens out the present text to an uncontrollable play of historical predecessors. Intertextuality generates an infinite, impermanent, flexible and pluralistic paradigm of the reading process which is similar to the Buddhistic law of impermanence. It encourages the concept of pluralism, relativism and the infinity of the intertextual process. This theory is appropriate for the Thai literary and social contexts in which traditions have played such important roles. Especially modern Thai poetry, unlike other forms of modern Thai literature, continuingly follows the tradition of poetic expression. As melody is the distinguishing characteristic of Thai poetry, contemporary poems are a chorus of various intertextualities. These plural voices are composed of the prosodic voices, generic tunes, echoes of the Masters, Buddhistic hymns, sounds of the traditional literary repertoire, folk beats, the rhythm of Social Realism and feministic choirs. By applying the theory of intertextuality to the criticism of contemporary Thai poetry, the multiple dimensions of intertextuality and the intertextual networks can be observed. First, the intertextual paradigm generates the meaning of the text as the infinite carnivalization of intertextuality. Second, the meanings of texts and prior texts expand from literary texts to those of society, of nature, and of the world. Third, history is embedded in the present text as a "here and now" unity. Fourth, the textual repertoire is the variable factor in generating the carnivalization of the prior texts. Fifth, there are two major voices in the dialogues the present text makes with the authority of the Past: the voice of consent and the challenging voice. Furthermore, there is the use of authority in order to take advantage of authority. Sixth, an intertextual network includes the one built among the poems of one poet. And finally, Buddhism also creates a subtle intertextual network. |
| 點閱次數 | 261 |
| 建檔日期 | 2000.02.01 |
| 更新日期 | 2016.05.10 |
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