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叡智的世界の美について : 西田哲学形成期におけるプロチノスの影響=On the beauty of inteligible cosmos : The influence of Plotin to the philosophy of K. Nishida
作者 大熊治生 (著)=Ohkuma, Haruo (au.)
出處題名 美学=Aesthetics
卷期v.48 n.2
出版日期1998
頁次1 - 12
出版者美学会
出版者網址 http://www.bigakukai.jp/
出版地京都, 日本 [Kyoto, Japan]
資料類型期刊論文=Journal Article
使用語言日文=Japanese
關鍵詞COSMOS; METAPHYSICS; 禪宗=Zen Buddhism
摘要Kitaro Nishida introduced into the system of his philosophy various concepts of many western philosophers. He tried to join togehter the western philosophy and the experience of enlightment from Zen-buddism. As he felt unsatisfied with the philosophy of Kant, he sought for other models to systematize his own philosophy. He found many similar points to his system in the philosophy of Fichte and that of Plotin. He got the concept of "self-consciousness" from Fichte, and that of "the inteligible cosmos" from Plotin. In the system of Nishida, "self-concsiousness" works as an agency to transcend to the inteligible cosmos. But the inteligible cosmos of Nishida is not like that of Plotin. In the system of Nishida, the inteligible cosmos is not a place where IDEAI are existing as the forms of NOOS, but a place where IDEAI are looked as SKIAI (shadows) of Absolute Nothingness. And there in the inteligible cosmos of Nishida, IDEAI are looked as values, i.e. truth, goodness, beauty. But as these values are only shadows, the consciousness must transcend to the "TOPOS of Absolute Nothingness", which is the antithesis of TO HEN (The One) of Plotin. And there the three values are unified. Absolute Nothingness is the basic concept of Zen-buddism.
目次(序) 1
(一)フィヒテの「事行」 2
(二)ロイスの「世界と個人」 3
(三)西田と「叡知的世界」 5
(四)「叡知的世界」と「叡知的自己」 6
(五)西田の「叡知的世界」とプロチノスの「叡知界」 9
ISSN05200962 (P); 24241164 (E)
DOI10.20631/bigaku.48.2_1
點閱次數497
建檔日期1999.06.15
更新日期2022.07.22










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