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| 試論柳宗元詩文的禪境美=The Artistic Beauty of Buddhist Conception of Liu-Zongyuan's Poetry and Literary Compositions | ||
| 作者 | 鄭固磐 (著)=Zheng, Gu-pan (au.) ; 《湘潭大學學報》編輯部 |
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| 出處題名 | 湘潭大學學報 (哲學社會科學版)=Journal of Xiangtan University (Philosophy and Social Sciences) |
| 卷期 | v.27 n.1 |
| 出版日期 | 2003.01 |
| 頁次 | 81 - 84 |
| 出版者 | 湘潭大學 |
| 出版者網址 | http://www.xtu.edu.cn/index.html |
| 出版地 | 湘潭, 中國 [Xiangtan, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 佛教文學=Buddhist Literature; 禪宗=Zen Buddhism=Zazen Buddhism=Chan Buddhism=Son Buddhism; 柳宗元=Liu Zongyuan; 詩文=poetrys and compositions; 禪境美=the artistic beauty of buddistist conception |
| 摘要 | 唐代古文運動領袖之一的柳宗元，主要以其寫作實踐，支持了韓愈的古文理論。柳宗元詩文所反映的積極用世、不屈不撓的人格，已影響了一代又一代的人。但他在被貶的十多年間，也確有過好佛求道、尋求精神解脫的時候，因而他的詩文有一股禪意，呈現出禪境美。這種禪境美，表現為靜慧之韻、淡遠之味、空靈之美。 Liu-Zongyuan was the leader of ancient Chinese prose movement in dynasty Tang. He supposed Han yu mainly withhis writting practice. His positive and unyielding character has affected generation after generation. But during the ten years of banished from court, he was foned of Buddhist to extricate himself from a spiritual predicament. So, there is an artistic beauty of Buddhist conception in his poetrys and literary compositions. It was expressed as tranguillity. Not seekin fame and wealth, empty and intelligence. |
| 目次 | 一、靜慧之韻 81 二、淡遠之味 82 三、空靈之美 83 |
| ISSN | 10015981 (P) |
| 點閱次數 | 308 |
| 建檔日期 | 2004.03.18 |
| 更新日期 | 2020.02.18 |
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