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| Music Archaeology in the Light of Indian-Central-Asian Cultural Contacts. | ||
| 作者 | Meshkeris, Veronika |
|---|---|
| 出處題名 | La pluridisciplinarite en archeologie musicale: IVe- rencontres internationales du Groupe d'Etudes sur l'Archeologie Musicale de l'ICTM (8-12 octobre 1990) |
| 出版日期 | 1994 |
| 頁次 | 111 - 123 |
| 出版者 | Maison des Sciences de l'Homme |
| 出版地 | Paris, France [巴黎, 法國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 290 |
| 關鍵詞 | Archaeology;Archaeomusicology;1st-8th century; History;Music;Religious music; Religion;Iconography;Instruments;India;Central Asia;Greece;Meshkeris, Veronika; |
| 摘要 | Relations between Central Asia and India in antiquity and the early Middle Ages engendered contacts with the musical culture of neighboring countries. Indian elements (Airtam reliefs) came with the introduction of Buddhism to Central Asia during the archaic period (1st-4th c.). Hellenistic motifs appeared on carved figures during the Kushan period (e.g.，Surkh-Kotal，Fayaz-tepe). Indian subjects occur on terra-cotta works depicting Buddhist processions accompanied by music or musician-monkeys. Gandhara-Bactrian style penetrates into Eastern Turkestan. The Indian origins of an hour-glass drum and a bowed harp underline steady traditions in the ancient cultures of Central Asia. The reception and transformation of Indian traditions and Sogdian characteristics penetrating into the East (5th-8th c.) are connected with ritual syncretism：Buddhism with the bell (Adjina-tepe)，traditional Indian votive ritual motives with monkey-musicians and female dancers (Lachsh)，Hindu traditions with Shiva dancing and adorned with pellet-bells, or Veshparkar blowing the horn. |
| 點閱次數 | 348 |
| 建檔日期 | 2001.05.21 |
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