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Universalismus in der Zeitgenossischen Musik am Beispiel der Wirkungsgeschichte von John Cage und Olivier Messiaen
作者 Hamel, Peter Michael
出處題名 Musica Germany
卷期v.48 n.1
出版日期1994.01-02
頁次4 - 9
資料類型期刊論文=Journal Article
使用語言德文=German
附註項290; Other titles:Universality in contemporary music, exemplified by the careers of John Cage and Olivier Messiaen
關鍵詞Cage, John;Messiaen, Olivier;Religious Music;Aesthetics;Universality; Religion;Zen;Aleatory music;Hamel, Peter Michael;
摘要An increasingly universal awareness in composition was shared by Cage and Messiaen,the two great composers who died in 1992. Both raised material found in nature to the level of a basis for composition. Messiaen was inspired to write Oiseaux exotiques by birdsongs, while the unintentionality found in Zen Buddhism led Cage to the basic tenet of letting-things-happen,as in his Music of changes:sounds, freed from memory and their customary associations, once again become capable of being heard. Both stand for a non-Eurocentric,critical universality.
點閱次數307
建檔日期2001.05.21










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