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| On the History and Origin of Gar：The Court Ceremonial Music of Tibet | ||
| 作者 | Trewin, A. Mark |
|---|---|
| 出處題名 | Journal of the European Foundation for Chinese Music Research |
| 卷期 | v.8 |
| 出版日期 | 1995 |
| 頁次 | 4 - 31 |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 290 |
| 關鍵詞 | 佛教音樂=梵唄=Buddhist Music;Tibetan Buddhism;Gar;Tibet;India;Ladakh;Dalai Lama;Pakistan;Baltistan;Court music;Instrumental music;Ethnomusicology;Trewin, A. Mark; |
| 摘要 | Since the early 1980s there has been a revival，both in the Tibet Autonomous Region and among the Tibetan exile community in northern India, of gar，a unique instrumental genre associated with drum and reed ensembles formerly attached to the Dalai Lama's court and certain monasteries of Central Tibet. According to Tibetan traditions, its origins lie in Ladakh and Baltistan on the Western periphery of the Tibetan cultural area. |
| 點閱次數 | 343 |
| 建檔日期 | 2001.05.16 |
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