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| The Genre of Philosophical and Religious Poetry and Intellectual Expression in the Southern Sung | ||
| 作者 | Bolick, Neil Eugene, Jr. |
|---|---|
| 出版日期 | 1994 |
| 出版者 | Indiana University |
| 出版者網址 | http://www.iu.edu/ |
| 出版地 | Bloomington, IN, US [布盧明頓, 印第安納州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 博士 |
| 校院名稱 | Indiana University |
| 系所名稱 | Department of East Asian Languages and Cultures |
| 指導教授 | Lo, Irving Y. |
| 畢業年度 | 1994 |
| 關鍵詞 | POETRY; CHINESE LITERATURE; SUNG DYNASTY |
| 摘要 | As an analytic tool to help us understand the conventions of religious and philosophical poetry in the Southern Sung, and to illustrate how religious concerns and religious texts influenced poetry written during this period beyond the range normally acknowledged, this dissertation constructs literary biographies of three Chinese poets from the Southern Sung in the form of a genre study. The poets are Fan Ch'eng-ta (1126-1191), one of the "four masters" of Southern Sung poetry, a government official who was a student of Ch'an Buddhism, Chu Hsi (1130-1200), the central figure in the formulation of Neo-Confucian philosophy, and Po Yuch'an (1194-1280), one of the "five patriarchs" of Southern Sung Taoism. I propose that, through close study of these writers, who lived during the same period and in the same area of China, one can identify a genre of poetry in the Southern Sung that reflects a symbiotic relationship between poetry, religion, and philosophy. I have constructed a generic repertoire based on close study of the poetry by these writers, and this is employed to address four questions: (1) In what sense can we claim that religious poetry constitutes a genre? (2) What is its relationship to the canonical and philosophical texts of Taoism, Buddhism, and Confucianism? (3) What can this genre teach us about poetic and religious expression in China? (4) What can this genre tell us when used as a medium to compare how the three traditions interrelate in the framework of a common poetic form? This study illustrates that during this period in China interest in religious issues was a generic concern for a broad range of poetry. Within that range, poets developed very sophisticated literary devices to engage religion in poetic discourse. This poetry creates a semiotic level of reference that works in complex intertextual ways not previously recognized, where an intertextuality exists between religious poetry and other forms of religious texts, and between religious poetry and other forms of poetic texts. |
| 點閱次數 | 190 |
| 建檔日期 | |
| 更新日期 | 2016.03.31 |
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