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| Kumiuta: Traditional Songs for Certificates: A study of Their Texts and Implications | ||
| 作者 | Ackermann, Peter |
|---|---|
| 出版日期 | 1990.06 |
| 頁次 | 597 |
| 出版者 | Lang |
| 出版地 | Bern, Switzerland [伯恩, 瑞士] |
| 叢書名 | Swiss Asian studies=Schweizer asiatische Studien |
| 叢書號 | 10 |
| 資料類型 | 書籍=Book |
| 使用語言 | 英文=English |
| 附註項 | 290 |
| 關鍵詞 | Japan; History; Music; Kumiuta; Instruments; String; Lute; Shamisen; Zither; Koto; Societies; Associations; Fraternities; Todo-za; Religion; Religious music; Confucianism; Taoism; Song; Ethnomusicology; Ackermann, Peter |
| 摘要 | Kumiuta (Japanese，"putting together" into a composition) are vocal pieces accompanied on the shamisen or koto，that have been the most highly respected chamber music in Japan since the 17th c. They developed within the strictly organized traditions of the feudal Tokugawu administration and served as the basis of the educational system of professional musicians who belonged to the Todo-za (guild for the protection of blind men). After evaluating the individual songs, some type of principle underlying the overall structure of a kumiuta is investigated. Whereas shamisen kumiuta were also played in entertainment establishments and most probably taught to geishas, the koto kumiuta were taught to female members of the samurai households, and influenced by the more aristocratic traditions of temple songs and tsukushi-goto music. By comparing the content of all the first，second，third，etc.，stanzas of the whole chain of a shamisen kumiuta it can be noted that，independent of the particular wording and images used，the singer undergoes a consistent emotional process from gloom and anguish at the beginning to a bright and animated mood at the end. Such emotional movement reflects the influence of Confucianism，Taoism，and Buddhism. |
| ISBN | 3261042389 (pbk); 9783261042385 (pbk) |
| 點閱次數 | 286 |
| 建檔日期 | 2001.05.28 |
| 更新日期 | 2014.06.26 |
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