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| The Musical Notation of the Hymn rTsa-brgyud-ma in the dGe-lugs-pa Tradition | ||
| 作者 | Helffer, Mireille |
|---|---|
| 出處題名 | Tibetan studies in honour of Hugh Richardson |
| 出版日期 | 1980 |
| 頁次 | 120 - 130 |
| 出版者 | Aris & Phillips |
| 出版地 | Warminster, UK |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 290 |
| 關鍵詞 | Religion;Religious music;Tibet;Notation;Dge-lugs-pa;Paleography;Hymn;Rtsa-brgyud-ma;Tradition;Music;Liturgy;Ritual;Helffer, Mireille;Richardson, Hugh; |
| 摘要 | Three collections of music (obyangs-yig) from three different monasteries contain a repertory from the dGe-lugs-pa tradition of Tibetan Buddhism. One piece of this repertory has been chosen by the author and recorded by the monks from each monastery. In a paper delivered to the International Seminar on Tibetan Studies, Oxford，1979，the author posed the problem of the diversity of the musical notation and their performances for the hymn rTsa-brgyud-ma (referred to here by the text incipit). |
| 點閱次數 | 394 |
| 建檔日期 | 2001.05.30 |
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