![]() |
|
| Nepal:the Gaine Caste of Beggar-musicians | ||
| 作者 | Bech, Terry |
|---|---|
| 出處題名 | The world of music/Die Welt der Musik/Le monde de la musique |
| 卷期 | v.17 n.1 |
| 出版日期 | 1975 |
| 頁次 | 28 - 35 |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English; 德文=German; 法文=French |
| 附註項 | 290 |
| 關鍵詞 | Folk;Music;Nepal;Gaine;Music making;Ethnomusicology;Bech, Terry; |
| 摘要 | An overview of Nepal's musical and cultural diversity with emphasis on Gaine music making. Nepalese societies range in complexity from hunter-gatherer Raute to city dwelling Newar. Buddhism,Hinduism,Shamanism,and local polytheism are important to Nepalese musicians. Contrast between larger cultural traditions may be sharp. Cultural change is evidenced by the loss of indigenous musical forms among the Sunwar,Gurung,Magar,Raute,and Thakali. The north-south direction of Nepalese mountain ridges and three major river systems influences the distribution of musical styles. The major style areas are listed,giving 18 groups that account for 90% of Nepal's musical activity. The instruments and ensembles appropriate for Hindu occupational castes, Lamaistic Buddhists, and Newars are included. The Gaine approach to music is discussed with reference to its origins, composition,audience,status, performanne,and world view. |
| 點閱次數 | 358 |
| 建檔日期 | 2001.05.30 |
提示訊息
您即將離開本網站,連結到,此資料庫或電子期刊所提供之全文資源,當遇有網域限制或需付費下載情形時,將可能無法呈現。
