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| Source Criticism and Interpretation in Historical Research on Japanese Music with Reference to the Kajo Theory of Tominaga Nakamoto | ||
| 作者 | Mabuchi, Usaburo |
|---|---|
| 出處題名 | Tradition and its future in music |
| 出版日期 | 1991 |
| 頁次 | 125 - 130 |
| 出版者 | Mita |
| 出版地 | 大阪, 日本 [Osaka, Japan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 290 |
| 關鍵詞 | Musicology;Japan;Kajo;Source criticism;Tominaga, Nakamoto;Shutsujo-gogo;Mythology;History; Religion;Music;Ethnomusicology;Mabuchi, Usaburo; |
| 摘要 | In historical descriptions of Japanese music，considerable attention is focused on myths, legends, and narratives -- which Western scholars freely accept，often without criticism. Older sources are usually considered more reliable and important. However，in Osaka, where a rational school of thought predominated，Tominaga Nakamoto (1716-46) postulated a different theory for source criticism，considering that the more recent of the sutras should be considered to be the more genuine tradition of the Buddha's instruction. He called this phenomenon kajo and explained it in his book Shutsujo-gogo (Osaka, 1745). |
| 點閱次數 | 429 |
| 建檔日期 | 2001.05.29 |
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