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| Ihe Duality of the Sacred and the Secular in Chinese Buddhist Music：An introduction | ||
| 作者 | Wei, Li |
|---|---|
| 出處題名 | Yearbook for traditional music |
| 卷期 | v.24 |
| 出版日期 | 1992 |
| 頁次 | 81 - 90 |
| 出版者 | International Council for Traditional Music |
| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 330; Columbia University, New York; Reprint |
| 關鍵詞 | China;History;Music;Religion;Religious music;Secular;Sacred;Ethnomusicology;Wei, Li; |
| 摘要 | Contemporary Buddhist practice does not always adhere to the Buddhist doctrines on music and its meaning. In the Buddhist doctrines there are three types of music：tianyue (music of heaven)，fanbei (chant)，and yue (the term for music，often denoting secular music). Discrepancies between Buddhist musical doctrine and its practice can be found in history as well as in contemporary Buddhist settings where the influences of Western musical tradition have entered ceremonial situations. Buddhist hymns, with the aid of mass media, have begun to enter and influence the public domain，and in the Buddhist context non-Buddhist music is more tolerated. |
| 點閱次數 | 284 |
| 建檔日期 | 2001.05.28 |
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