仲殊=Chung Su; 宋代佛教=Sung Buddhism; 佛教文學=Buddhist Literature
摘要
本文以兩宋詞僧中創作最豐富之仲殊為對象，探析其詞作內涵，以了解仲殊詞的風貌與特色. 仲殊撰詞68首，本文藉以為研究範圍與對象. 文分六章 § 第一章 緒論 說明研究動機. § 第二章 說明宋代佛教流行的宗派，其時雖以禪宗為大宗，但與天台. 淨土二宗亦有相合的趨勢. 又因三教合一等因素，使僧俗交往熱絡，以此為背景，對詞家當時所處之時代及社會思潮作一闡述. § 第三章 依資料，爬梳仲殊之生卒年及交遊情況. 仲殊卒年約在北宋末年，本章並探究其詞作中所表現出之佛教思想. § 第四章 說明仲殊詞作取材於《全宋詞》及《詞淵》，並將其詞之題材類型分詠物. 題畫. 諧謔. 賦情. 寫景. 賀壽. 遊仙詞等七類. 本文並就其詞作之常用字. 意象類型. 感官摹寫. 詞牌. 用韻等五方面詳加分析，並研求其詞所表現之藝術特色. § 第五章 以仲殊之詞作內容為基礎，分析其詞乃屬19家僧人詞中數量最富，內容最廣. 題材最豐贍，並具非凡的藝術特色，由此顯示出仲殊在宋僧詞中之重要地位. § 第六章：結論 敘述近代宋僧詞研究情形及本文未足處. 本人雖已盡力蒐集仲殊之資料，及探尋有關其個人交遊的情況，然皆鱗光片羽，無法窺其全貌. 因之僅能就其詞作內容. 基本形式及意象摹寫上去探討，無法對仲殊生平事跡. 交遊及個性，與其詞相參，作關聯性之分析研究，此乃吾人尚待努力處. [摘要] This thesis studies a Buddhist monk tz’u writer Chung Su of the Sung Dynasty and his 68 tz’u poems, which are divided into seven categories, including：matters of interests, art work captions, humor，love，landscapes, eulogies, excursions of the immortals; and these are dealt with artistic styling commanded by the author in reference to words recurrent in the works, ideological patterns, sensational representations, motto plaques and rhythmic techniques. Against the available documentary data, this thesis looks deep into Chung Su’s biography and the implications of his lyric compositions, which serve as a basis to figure out the panoramic context of his works and what is unique in them. Of the 19 well known lyric writer monks of the two Sung Dynasties, the one who wrote more above all others and that with the most far-reaching contents is Chung Su whose position among Sung monks who happened to be lyric writers is thereby affirmed. Owing to the lack of references, this thesis does not cover analytical studies relevant to Chung Su’s biographic events, fellowship associations, personalities in relation to his lyric art，that is where further efforts must be directed. 論文
