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| 府城寺廟壁畫之研究=Study on the Wall Paintings of Temples in Fu Cherng | ||
| 作者 | 昝明利 (著)=Zan, Ming-lih (au.) |
|---|---|
| 出版日期 | 2003 |
| 頁次 | 134 |
| 出版者 | 國立臺南師範學院=National Tainan Teachers College |
| 出版者網址 | http://web.ntntc.edu.tw/9103/ |
| 出版地 | 臺南市, 臺灣 [Tainan shih, Taiwan] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 中文=Chinese |
| 學位類別 | 碩士 |
| 校院名稱 | 國立臺南師範學院 |
| 系所名稱 | 鄉土文化研究所 |
| 指導教授 | 陳坤宏 |
| 畢業年度 | 91 |
| 附註項 | 全文至國家圖書館「全國博碩士論文資訊網」下載 |
| 關鍵詞 | 繪畫=painting; 佛教藝術=Buddhist Art |
| 摘要 | 台灣寺廟彩繪的表現手法，大抵傳承於大陸閩粵的藝術形式，經長期轉化. 蛻變. 及彩繪藝師個人特色的凸顯，乃形成地域性風格. 從壁畫佔的面積較大. 社會教育功能顯明. 題材多元. 筆墨線條展現濃郁的文人畫畫風，及個人技巧等各方面觀之，壁畫彩繪無疑地在整體寺廟裝飾風格的建構中，具畫龍點睛的意義. 台南府城被譽為文化古都，古蹟寺廟之質與量在全台獨占鰲頭. 其傳統畫師向來最負盛名，留下許多優秀壁畫作品. 囿於許多不利因素之危害，及近年國內古蹟修護，重點多放在結構體的維修，而對壁畫彩繪之保存. 修補與重繪，未有妥善解決法. 故對現存府城古蹟寺廟中的壁畫研究與紀錄，實刻不容緩. 本文透過文獻研究. 實際案例田野調查. 畫師訪談. 空間美學分析等方法，了解台灣及府城古蹟寺廟壁畫之源流，剖析壁畫所蘊含的文化與空間意義. 對府城古蹟寺廟壁畫建立資料庫，探討中國傳統及府城寺廟壁畫的施作工序. 技術演變，及府城畫師的創作特色. 經分析比較發現：因繪畫史的詮釋與述論之權柄，掌握在文人畫家之手，壁畫生命週期短暫，大面積的壁畫屬高消費的工作，缺少傳統建築工匠之文獻紀錄等因素，導致清代府城傳統建築壁畫彩繪之歷史晦暗不明; 加上中國文化的永恆，是從「生生不息」.「自然往復」中建立的，對建築材料是採暫時性的除舊佈新態度，故傳統寺廟採木架構且代代翻修新建，不利壁畫保存. 故需政府與民間齊心合力，加快腳步，以維護及保存府城珍貴的壁畫遺產. [摘要] The expression methods of the wall paintings in Taiwan’s temples were mostly transplanted from Fookien and Canton; but gradually formed the local features with the changing of time，place and individual painters’ characteristics. Wall paintings, because of their large area, rich in social education，various resources, literal style，and personal skills, etc.，were such like adding eyeballs to the picture of a dragon in the whole decorative structure of temples. Tainan，the said ancient cultural city，had the most qualitative and quantitative old temples and the most famous painters in Taiwan. They left numerous precious wall paintings in the temples. But，due to the lack of proper preservation，the overlook of their importance，and many other inferior factors on the wall paintings of the temples, it’s necessary and immediately responsible for investigating and recording on the wall paintings of temples in Fu Cherng. The aim of this study is to realize the origination of the wall paintings of temples in Taiwan and Fu Cherng，and analyze their cultural and spatial meanings through literature review，case study fieldwork，in-depth interview of painters and spatial esthetic analysis. Another purpose of this study is to construct the database on the wall paintings of temples in Fu Cherng，and to explore the operating procedures, transformation of techniques on the wall paintings, and painters’ characteristics of original work in Fu Cherng. We obtained some important findings. There had been some phenomena including：the interpretation and edition of painting history was on literal painters, the cycle for wall paintings were short，the large-area wall paintings were of high-consumption practices, and lack of literary records from traditional architects, and so on. These had made obscure in the history of traditional wall paintings of temples in Fu Cherng in Ching Dynasty. Besides, Chinese culture was based on “recycle and ceaselessness” and “natural recovery” conceptions, and the architectural materials adopted were those easily renewed，so traditional temples were built of wood and reconstructed by generations, it’s not benefit for preserving on wall paintings. This is a pressing task for the government and the social popular together working on the preservation of precious wall paintings of temples in Fu Cherng. 論文 |
| 目次 | ● 第一章 緒論 第一節 研究動機 第二節 研究目的 第三節 研究範圍與對象 第四節 研究方法. 內容與流程 第五節 名詞界定 第六節 文獻回顧 ● 第二章 寺廟壁畫之發展概述 第一節 寺廟建築的裝飾藝術 第二節 中國傳統寺廟壁畫源流 第三節 台灣寺廟壁畫概述 第四節 結語 ● 第三章 府城寺廟壁畫類型 第一節 寺廟壁畫案例調查與整理 第二節 寺廟壁畫類型及意涵 第三節 寺廟壁畫類型與主祀神之相關性 第四節 結語 ● 第四章 府城寺廟壁畫特色 第一節 壁畫裝飾的空間原則 第二節 壁畫形式分析 第三節 畫師作品特色 第四節 結語 ● 第五章 結論與後續研究 第一節 結論 第二節 後續研究 ● 參考文獻 |
| 點閱次數 | 290 |
| 建檔日期 | 2003.11.21 |
| 更新日期 | 2015.07.24 |
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