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| Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse | ||
| 作者 | Heine, Steven |
|---|---|
| 出處題名 | The Journal of Asian Studies |
| 卷期 | v.53 n.2 |
| 出版日期 | 1994.05 |
| 頁次 | 367 - 393 |
| 出版者 | Association for Asian Studies |
| 出版者網址 | https://www.asian-studies.org/ |
| 出版地 | Ann Arbor, MI, US [安娜堡, 密西根州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | 350 CONTAINS：bibliography; illustration(s) |
| 關鍵詞 | Suicide in literature; Literature and society; Alienation (Social psychology); Buddhism and literature; Salvation in literature; Pure Land Buddhism; Chikamatsu, Monzaemon |
| 摘要 | STEVEN HEINE interprets the double suicides in the plays of Chikamatsu Monzaemon (1653-1725) as examples of Pure Land Buddhist millenarianism. For him, lovers' suicides (shinju) are acts of millenarian transcendence rather than the more familiar explanation in which double suicide is described as an extraordinary but unconvincing attempt to resolve conflicts between the lovers' social duty (giri) and their human passion (ninjo). These plays, based on actual incidents, were tremendously popular in the early eighteenth century and remain some of the most highly prized works of the Japanese literary canon. Heine focuses his attention on the question of what is accomplished through the lovers' suicide. He argues that previous explanations about these suicides have focused on explaining the social-Confucian elements while underplaying Chikamatsu's religious-Buddhist message. He characterizes the lovers in these plays as outcasts who can live neither in the Confucian-dominated Tokugawa social order nor in the anti-establishment "floating world" of the entertainment quarters. For him, the lovers' suicide constitutes a complete break with the prevailing order in which they choose to circumvent all forms of their present identities-both in the Tokugawa duty-bound social order and its opposite, the pleasure-driven "floating world"-to strive for a millenarian transcendence through Pure Land salvation. Heine emphasizes Chikamatsu's michiyuki scenes (literally, "traveling along a pathway") as evidence of the underlying millenarian nature of these plays. In these sequences, the lovers' words and actions reflect shamanistic folk practices of Japanese religion and, through recitation of the Buddha's name, accomplish salvation in Pure Land Buddhist terms for the protagonists in these powerful tragic dramas. |
| 目次 | Significance of Double Suicide 367 Levels of Interpretation of Chikamatsu 373 The Main Elements of Millenarian Discourse 377 Alienation from Power 378 Redefining the Basis of Power 380 Endzeit as the Resolution of the Power Conflict 385 Conclusions 388 List of References 390 |
| ISSN | 00219118 (P); 17520401 (E) |
| 點閱次數 | 873 |
| 建檔日期 | 1998.04.28 |
| 更新日期 | 2020.03.30 |
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