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| 南華寺六祖慧能真身考=A Study of the Genuine Body Statue of the Sixth Patriarch Hui Neng in the Nan Hua Temple | ||
| 作者 | 徐恆彬 (著)=Hsu, Heng-pin (au.) |
|---|---|
| 出處題名 | 中國文化研究所學報=Journal of Chinese Studies |
| 卷期 | v.18 (總號=n.27) |
| 出版日期 | 1987 |
| 頁次 | 47 - 68 |
| 出版者 | 香港中文大學中國文化研究所 |
| 出版地 | 香港, 中國 [Hong Kong, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：廣東省文物管理委員會 |
| 關鍵詞 | 惠能; 南華寺; 禪宗=Zen Buddhism=Zazen Buddhism; 六祖壇經=The Sixth Patriarch's Sutra; 佛教藝術=Buddhist Art |
| 摘要 | The Southern Branch of the Ch'an School 禪宗 of Buddhism was founded by the Sixth Patriarch Hui Neng 六祖慧能 during the T'ang era (618-907). He succeeded in Sinicising what was a foreign religion into a Chinese one and thus exerted a great influence upon the history of religion as well as the history of philosophical thought. The Ch'an Buddhism initiated the burial of the whole body, breaking away from the practice of Indian Buddhists of burying the Sarira 舍利子 after Nirvana 涅槃. The bodies of those eminent monks were preserved as mummies. The author, on the evidence of what he saw and heard and the thorough examination of related document, establishes that the Hui Neng Statue at the Nan Hua Temple 南華寺 in the Ch'u Chiang County 曲江縣 of Guangdong was moulded by the monk carver Fang Pien 方辯 using the genuine body of Hui Neng by means of the Chia Chu 夾紵 method. It is a pioneering work not only in the history of Buddhism but also in the history of the art of carving. This article also introduces in detail the various Hui Neng statues in Guangdong since Sung, and some attempt is made in making comparisons among them. |
| 目次 | 一、六祖慧能真身是南華寺的鎮山之寶 47 二、六祖真身確是慧能的肉身 50 三、六祖慧能真身是獨特的夾紵造像 52 四、六祖慧能真身造像得以長期保存的原因 56 五、六祖慧能真身造像對後世六祖像的影響 59 |
| ISSN | 10164464 (P); 10164464 (E) |
| 點閱次數 | 386 |
| 建檔日期 | 1998.07.22 |
| 更新日期 | 2019.12.18 |
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