There were, in the past, very much limited written records and research materials on the Qiangmu, a religious musical dance played during Dharma Occasion in Langmu Temple, Gannan. In order to fill the vacuum in the study of the Qiangmu, we have walked into the area and carried out an investigation, based on objective recording and ontological theoretical study, into the overall structure of the religious ritual dance, its artistic characteristics, its social functions, its cultural connotations, hoping to m...
