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| 唐代成都地區密教造像研究 -- 以千手觀音與毗沙門天為例=A Statuary Research about the Esoteric Buddhism in Chengdu Region from the Tang Dynasty | ||
| 作者 | 孫菩蔚 (著)=Sun, Pu-wei (au.) |
|---|---|
| 出版日期 | 2008 |
| 頁次 | 124 |
| 出版者 | 國立臺南藝術大學藝術史與藝術評論研究所 |
| 出版者網址 | http://ahac.tnnua.edu.tw/releaseRedirect.do?unitID=204 |
| 出版地 | 臺南縣, 臺灣 [Tainan hsien, Taiwan] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 中文=Chinese |
| 學位類別 | 碩士 |
| 校院名稱 | 國立臺南藝術大學 |
| 系所名稱 | 藝術史與藝術評論研究所 |
| 指導教授 | 潘亮文 |
| 畢業年度 | 97 |
| 關鍵詞 | 唐代=the Tang Dynasty; 成都=Changdu region; 密教=the esoteric Buddhism; 千手觀音=thousand-armed Guanyin; 千手千眼觀音=Avalokitesvara; 毗沙門天=Vaisravana |
| 摘要 | 四川西部的成都做為中國西南邊陲軍事、經濟、行政的中心，歷史上一直是文化傳播的重要地區。又密宗的確立是唐代佛教的一項重要發展，則當時的成都地區必定接收了一定程度的密教思想，才能在宋時於四川東部的大足、安岳地區開鑿大量密教石窟造像。那麼密教在唐代成都地區發展如何？傳播路徑為何？是本文探討的核心。針對第一個問題，筆者試圖透過對「僧人傳播」、「摩崖與出土造像」、「寺院壁畫」三個方向的重新檢視，多方面觀察成都地區密教信仰的深度與廣度，並補充現存作品呈現面向的不足。針對第二個問題，筆者從第一個問題中檢視的結果出發，藉由梳理此地最流行的兩個密教題材：千手觀音與毗沙門天的風格變化與圖像內涵，探討密教在四川的來源、傳播路線和成都地區在此路線中扮演的角色。意即依其造像風格變化提出相對年代的可能判斷作為研究的基礎，接著將主題的眷屬、裝飾等細部拆解，獨立分析各細部的圖像內涵、流變與可能來源，確認密教在四川的傳播路徑。最後將主題依眷屬組成型式分類，並和同樣流行千手觀音和毗沙門天的敦煌地區造像比較，以了解成都地區和敦煌地區千手觀音信仰與毗沙門天信仰的不同內涵，突顯唐代成都地區密教造像的特殊氛圍。 Chengdu city, as a military, economy and administrative center of southwestern China, has always been an important region on the path of cultural dissemination. As we know the esoteric Buddhism was estatblished in Tang Dynasty, Chengdu region must received certain degree of esoteric Buddhism at that time, so that many esoteric caves appear in Dazu and Anyue, nearby eastside of Chengdu. How deep was the effection of esoteric Buddhism in Chengdu region? What was its disseminated route? This would be the core of the text study. To solve the first question, writer inspects in different ways, including "monk activities", "sculptures" and "monasterial wall-paintings", to reduce the regret of less extant works. To solve the second question above the first one, writer surveys the most popular motives through style analysis and icongraphy in Chengdu region : thousand-armed Guanyin and Vaisravana. Writer also tries to confirm their sources and what was the role Chengdu acted in this route of dissemination. According to sculpture style anaysis and according to details of subject members and decorations, analyzing the image meaning, variety and possible origination as research foundation, we presume the relative age. It helps us to realize how was esoteric buddhism disseminated through Chengdu region in Sichuan. Finally we classified the family members of two motifs, and compared the sculptures from Dunhuang region, where is also popular with thousand-armed Guanyin and Vaisravana. It shows the feature esoteric buddhism belief in Tang Dynasty in Chengdu since understanding its difference from Dunhuang. |
| 點閱次數 | 657 |
| 建檔日期 | 2009.12.02 |
| 更新日期 | 2015.08.19 |
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