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| 許伯夷珠寶作品《生命篇》的藝術性及人本關懷=The Sensation of Artistry and Humanistic Perception from Hsu Po-Yih's Jewel Collection《Life Essence》 | ||
| 作者 | 李侑叡 (著)=Li, Yo-rei (au.) |
|---|---|
| 出版日期 | 2008 |
| 頁次 | 104 |
| 出版者 | 國立成功大學藝術研究所 |
| 出版者網址 | http://www.ncku.edu.tw/~ioas/ |
| 出版地 | 臺南市, 臺灣 [Tainan shih, Taiwan] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 中文=Chinese |
| 學位類別 | 碩士 |
| 校院名稱 | 國立成功大學 |
| 系所名稱 | 藝術研究所 |
| 指導教授 | 高燦榮 |
| 畢業年度 | 97 |
| 關鍵詞 | 許伯夷=Hsu Po-Yih; 珠寶=Jewel; 生命篇=Life Essence; 藝術=Art; 工藝=Craft; 人本關懷=Humanistic Perception |
| 摘要 | 許伯夷於西元2008年完成的珠寶創作《生命篇》是運用大量珠寶，輔以金工雕琢而成的單件式獨立作品。形式上，跳脫歷年珠寶設計作品《佛陀的世界》中以實用性珠寶飾品為主的工藝創作。主題上，別於傳統工藝的花鳥雕琢與器物形制，切入生命哲學的議題，與臺灣地區一般珠寶工藝展示的面貌多所不同。許伯夷在青壯年時期即以商人身分活躍於南臺灣商場；不惑之年，毅然隱居山林，隨後走訪世界各個國家的角落。三十多年來，以旅遊為機緣所蒐集或購得的大量寶石則成為歷年珠寶設計與《生命篇》藝術創作的主要媒材。《生命篇》的創作延續其歷年珠寶設計作品的中國傳統宇宙觀與佛教精神脈絡，作品分為三個講述部分：第一部分是從花叢與自然界談論生命的意義；第二部分是從土地與樹頭的意象論述生命的展現，第三部分自樹根與地底的世界來談人類最終的精神呈顯。技巧上，偏好使用傳統金屬工藝的技法，將環保、生態、哲學等議題簡化以具體形貌來展現。題材上，集合大自然意象符號來表現造形。媒材上，運用易吸引世人目光的「珠寶」來創作。他的創作表現並未全然受限於珠寶市場消費利益，也不單只以雕琢美麗的珠寶商品為目的；反而藉由獨創的藝術創作方式，將個人實際生命經驗與作品結合，直接向觀者表達出人與土地間應有的互生態度，呈顯出以藝術教贖世人的積極入世情懷。 The jewel art work《Life Essence》by Hsu Po-Yih, which was completed in 2008, is an independent art work with application of a great deal of jewels and auxiliary gold sculptures. From the pure formation point of view, it can easily be distinguished from the of practical use of jewel garnishment of《The world of Buddha》, that has last for years. Meanwhile, viewing from the theme itself, it delivers the life philosophy directly, which is quite different from the traditional sculptures and utensils aiming on flowers and birds. The《Life Essence》also reveals different angles from general seen jewel art works in Taiwan. Ever since the prime age of life, Hsu Po-Yih had played as a brisk business man in southern Taiwan; till 40s, he has bravely decided to withdraw from society, and travel every corner around the world. For the late 30 years, the abundantly collected jewels from casual trips has become the primary ingredient of his fine works and, of course, 《Life Essence》. It can be comprehended from 3 parts; the first part talks about the meaning of life from natures of flower clusters. The second part can be deemed as the appearance of land and tree root. And the third part talks about the ultimate human spirit presentation from the source of tree root and underground. Technically speaking, Hsu Po-Yih prefers to use the technique of traditional metalwork to simplify and practically present topics of environmental protection, ecological environment and philosophy. From view point of ingredient, the art work is originated from “Jewel”, that can attract attentions from most of the people. However, his art work is not exactly confined by the shallow benefit of jewel markets, neither his purpose is to carve vulgar jewel commodities. Instead, through the artistic creation, he has combined real personal life experience with his crafts to deliver a mutual symbiosis attitude of human and the land. The attitude also shows the use of the art work as salvation to add glory to active engaged consciousness. |
| 點閱次數 | 886 |
| 建檔日期 | 2009.12.01 |
| 更新日期 | 2015.08.18 |
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