![]() |
|
| 信仰與史實的統一 ── 慧皎《高僧傳》敘事分析=Unity of Belief and History: Narrative Analysis of Stories of Dignitary Monks | ||
| 作者 | 劉湘蘭 (著)=Liu, Xiang-lan (au.) |
|---|---|
| 出處題名 | 中山大學學報 (社會科學版)=Journal of Sun Yatsen University (Social Science Edition) |
| 卷期 | v.46 n.3 (總號=n.201) |
| 出版日期 | 2006 |
| 頁次 | 39 - 44, 125 |
| 出版者 | 中山大學 |
| 出版者網址 | http://www.sysu.edu.cn/ |
| 出版地 | 廣州, 中國 [Guangzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 慧皎; 《高僧傳》; 信仰與史實; 敘事; 神異情節 |
| 摘要 | 該文從敘事學的角度對慧皎《高僧傳》的文學性進行分析,認為慧皎善於抓住表現人物內心情感的細節,運用各種敘事手法,突出人物的性格特徵,避免了人物形象的臉譜化與單一性。《高僧傳》將神異情節放置在歷史背景之中進行敘事,體現了作者努力使僧傳與史傳取得平衡,使信仰與史實得到統一的良苦用心。佛教生死觀念的特殊性,使《高僧傳》敘事存在某種內在的形式規則,主要表現在傳中的人物結局往往呈開放式狀態,造成了一種與史傳迥然不同的美學特徵。 From the perspective of narrative,this paper analyzes the literary characteristics of Stories of Dignitary Monks written by Huijiao.Huijiao tactfully manipulates the details expressing the profound emotions of the personages,and employs various narratives to give prominence to their characters,thus avoiding the simplification of the personages.The magical plots narrated in the historical background show that the author makes efforts to balance between the stories of monks and history,and to unify religious belief and history. The depictions of images of dignitarymonks in Art Volume of History of J in Dynasty (Jin Shu) are influenced by the narrative technique of Stories of D ignitary Monks, which provides its literary characteristics. The particularity of the Buddhist conceptions of life and death endows Stories of Dignitary Monks with some intrinsic narrative rules. The end of the personages is in an open ended state, which make it different from history in aesthetic features. |
| ISSN | 10009639 (P); 10009639 (E) |
| 研究類別 | 佛教-歷史; 文獻資料 |
| 研究時代 | 中國-無 |
| 點閱次數 | 1015 |
| 建檔日期 | 2008.10.06 |
| 更新日期 | 2019.10.05 |
提示訊息
您即將離開本網站,連結到,此資料庫或電子期刊所提供之全文資源,當遇有網域限制或需付費下載情形時,將可能無法呈現。
