![]() |
|
| 唐代佛教寺院文化與詩歌創作=Culture of Buddhist Temple and the Creation of Poetry in the Tang Dynasty | ||
| 作者 | 李芳民 (著)=Li, Fang-min (au.) |
|---|---|
| 出處題名 | 文史哲=Journal of literature, history and philosophy |
| 卷期 | n.5 |
| 出版日期 | 2005 |
| 頁次 | 97 - 103 |
| 出版者 | 山東大學 |
| 出版者網址 | http://www.sdu.edu.cn/ |
| 出版地 | 濟南, 中國 [Chinan, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 寺院=Temple; 山水景觀=Natural scenery; 人造景觀=Artificial scenery; 賦詩交往=Poetical communication; 詩會聯唱=Poetical club’s collective activities |
| 摘要 | 以寺院、精舍、招提、蘭若等為題材的詩歌在唐詩中佔有相當的比重,構成了唐人詩歌創作的一個重要現象。唐人詩歌中這類題材數量的眾多,是唐代佛教興盛與佛教寺院文化發達影響的結果。佛教寺院獨特的山水景觀與人造景觀,為詩人提供了創作之詩思與素材;詩人獨游與群遊寺院時,作為一種表現與交流的需要以及在寺院的寺壁題詩,刺激了詩人創作的興趣;而以官僚文人以及寺僧為首,在寺院組織的詩會聯唱活動,也對詩人的創作以及聯唱體式詩歌的發展產生了巨大的影響。 Poems about religious places occupy a very large proportion in the poetry of the Tang Dynasty,forming a significantphenomenon of poetry in the Tang Dynasty.The unique natural and artificial scenery of Buddhist temple provided ideas and mate-rials for poets’creation.When a poet visited temples alone or with other people,it worked as a kind of showing or communica-tional requirement.And poems on the walls in the temples stimulated the poets’interests in creation. Intellectuals working in the government and monks, as the leaders, organized poem - creation activities, which also had dramatic influence on poem - creation and the development of the style of singing in connection. |
| ISSN | 05114721 (P); 05114721 (E) |
| 點閱次數 | 642 |
| 建檔日期 | 2008.09.18 |
| 更新日期 | 2019.10.22 |
提示訊息
您即將離開本網站,連結到,此資料庫或電子期刊所提供之全文資源,當遇有網域限制或需付費下載情形時,將可能無法呈現。
