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| 敦煌壁畫中的杖具 -- 錫杖考=Instrument of A Cane in The Dunhuang Mural:A Study of Khakkara | ||
| 作者 | 胡同慶 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.104) |
| 出版日期 | 2007.08 |
| 頁次 | 36 - 47 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 敦煌壁畫; 錫杖; 造型; 製作; 功用 |
| 摘要 | 本文在對敦煌壁畫中錫杖圖像進行全面考察基礎上的同時，與絹畫、石刻、金銅器中的錫杖圖像以及法門寺出土的錫杖實物等進行了比較，並結合佛教經典，就錫杖的造型、製作、功用以及與持杖人的關係等方面進行了考證。 This article has made a comprehensive survey on the specific portrait of Khakkara:a monk’s staff,partly of metal,with metal rings for shaking to announce one’s presence and expel demons,from the Dunhuang Mural,and based on this basic data,this article has also made a comparative study to the image of Khakkara which are found not only on a painting on silk or on stone but on the works of bronzes as well and even has made a comparative study with the scepter in exist unearthed from Famen Temple and combining the description of Khakkara from Buddhist Scriptures,this article made a careful study of it in perspectives of its plastic image,technical production,function and the relationship with the Crosier,shaker of the rings on the metal staff. |
| ISSN | 10004106 (P) |
| 研究類別 | 石窟; 繪畫; 法器 |
| 研究時代 | 中國-無 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 921 |
| 建檔日期 | 2008.05.19 |
| 更新日期 | 2018.04.17 |
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