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| Reconsidering Ōbaku Zen and the foundation of the ink paintings of Itō Jakuchū | ||
| 作者 | Onnagawa, Mie (著) |
|---|---|
| 出處題名 | Masters Abstracts International |
| 卷期 | v.44 n.5 M |
| 出版日期 | 2005 |
| 出版者 | ProQuest LLC |
| 出版者網址 | https://www.proquest.com/ |
| 出版地 | Ann Arbor, MI, US [安娜堡, 密西根州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 學位類別 | 碩士 |
| 校院名稱 | San Jose State University |
| 系所名稱 | Department of Art History |
| 指導教授 | Kao, Arthur Mu-sen |
| 畢業年度 | 2005 |
| 附註項 | 140p |
| 關鍵詞 | Japan; Communication and the arts |
| 摘要 | The recent intensive studies on Japanese painters of the eighteenth century, have investigated the creative activities of the artists. However, their works cannot be interpreted only by their unconventional originality. This thesis hopes to make it clear that the works of one of these artists, Itō Jakuchū (1716-1800), can be seen in terms of the philosophy behind the paintings and can be understood in relation to his contemporary society. Recent discussions of Jakuchū tend to be focused instead on the artist's eccentricity, rather than examining his stylistic development and his sources of inspiration. His monochrome ink paintings represent the intensity of his own artistic and religious vision of Zen Buddhism, especially the Ōbaku sect. The purpose of this thesis is to investigate in detail and present some hypotheses on the roots of his inspiration in the syncretic character of the Ōbaku Zen, in which Pure Land Buddhism and Daoism are combined. |
| ISBN | 0542556839; 9780542556838 |
| ISSN | 08989095 (P) |
| 點閱次數 | 425 |
| 建檔日期 | 2008.05.13 |
| 更新日期 | 2022.03.23 |
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