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| Berbers, Buddhists and Bibelots: Appropriation of Alien Traditions by French, Chinese, Arab and Francophone Poets | ||
| 作者 | Serrano, Richard Arthur |
|---|---|
| 出版日期 | 1996 |
| 頁次 | 363 |
| 出版者 | University of California, Berkeley |
| 出版者網址 | http://www.berkeley.edu/ |
| 出版地 | Berkeley, CA, US [伯克利, 加利福尼亞州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 博士 |
| 校院名稱 | University of California, Berkeley |
| 指導教授 | Kaufmannm, Vincent |
| 畢業年度 | 1996 |
| 關鍵詞 | 佛教人物=Buddhist |
| 摘要 | Comparatists are often asked what they compare. A reply of "French, Chinese and Arabic" usually elicits a puzzled look and another question: "How do you bring such different things together?" The only possible reply is that these "different" literatures have already been brought together. My dissertation, "Berbers, Buddhists and Bibelots: Appropriation of Alternative Traditions by French, Chinese, Arabic and Francophone Poets," offers readings of classical non-Western poetry colonized by Western criticism, readings of colonizing French poetry, and readings of poetry of Francophone poets attempting to extricate themselves from colonization. This project began with a fascination with the odd attempts of modern French poets such as Stephane Mallarme, Victor Segalen and (poet by poetic license) Jacques Lacan to appropriate forms and concepts found in the classical Chinese and Arabic poetic traditions which Western traditions lacked. Exploration of the canonical poetry of the Arabs and Chinese, represented by al-Buhturi (821-897) and Wang Wei (701-761), reveals that they, too, at the height of their empires performed similar (but not identical) acts of appropriation from alien cultures preexisting their own. Francophone poets of North Africa (heavily influenced yet somewhat distant from traditional centers of classical Arabic civilization) and Indochina (heavily influenced yet somewhat distant from traditional centers of Chinese civilization) found themselves attempting to create a new poetry out of a tradition inherited from the very poets who had appropriated the non-Western traditions which would have been theirs. The two examples from my dissertation, Makhali-Phal (1908-1965) of Cambodia and Jean Amrouche (1909-1962) of Kabylia in Algeria, attempt both to appropriate the poetry of their French predecessors and to reach back to traditions which precede them. |
| 點閱次數 | 558 |
| 建檔日期 | 2008.04.23 |
| 更新日期 | 2016.03.22 |
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