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| Gary Snyder's Idiosyncratic Buddhist Poetics and the "Razoredge" | ||
| 作者 | Thimme, David Gerhardt |
|---|---|
| 出版日期 | 2006 |
| 頁次 | 90 |
| 出版者 | University of Louisville |
| 出版者網址 | http://louisville.edu/ |
| 出版地 | Louisville, KY, US [路易維爾, 肯塔基州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 碩士 |
| 校院名稱 | University of Louisville |
| 畢業年度 | 2006 |
| 關鍵詞 | 尸羅=戒=command=Precept=sila=morality=rule=discipline=prohibition; 公案=語錄=Koan; 佛教人物=Buddhist; 佛教哲學=Buddhist Doctrines=Buddhist Philosophy |
| 摘要 | Gary Snyder's poetry conveys Zen states of consciousness through unconventional grammar and syntax. From his first book Riprap in 1959 to his last collection of poems, Mountains and Rivers Without End in 1996, he has confronted the challenge of transforming Buddhist philosophy and discourse into Western poetics. Snyder's syncretism pertaining to Buddhist and Native American beliefs form a unique view of Zen that suggests his precise involvement with the meditative self-discipline may be unstable and elusive. A close reading of Snyder's idiosyncratic Buddhist poetics reveals an impasse between a "non-verbal" realm, where the Cartesian duality of subject and object dissolves, and the Western outlook that consciousness can't escape language and thought; Snyder's term "razoredge" corresponds to this juncture. Viewing his works from a Buddhist perspective, which emphasizes Eastern forms such as haiku and the Zen koan, shows how the disruption of ordinary "dualistic" thinking potentially improves the aesthetic of "nonduality." |
| 點閱次數 | 325 |
| 建檔日期 | 2008.04.18 |
| 更新日期 | 2016.03.17 |
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