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| The Horrific as an Aesthetics Category in the Art of Tantric Buddhism=怛特羅佛教的驚懼美學 | ||
| 作者 | 普雷西雅多索, 班哈明=Preciado-Solis, Benjamin |
|---|---|
| 出處題名 | 東方美學學術研討會論文集=Proceedings of the Symposium on Oriental Aesthetics and Arts |
| 出版日期 | 1999.12.02 |
| 頁次 | 1 - 27 |
| 出版者 | CEAA博物館=Centre for Asian & African Studies of EL Colegio de Mexico, D.F. Mexico |
| 資料類型 | 會議論文=Proceeding Article |
| 使用語言 | 中文=Chinese; 英文=English |
| 附註項 | 會議名稱:東方美學學術研討會(The Symposium on Oriental Aesthetics and Arts) |
| 關鍵詞 | 怛特羅佛教=Tantric Buddhism; 成就法=Sadhanas; 驚懼美學=Horrific Aesthetics; 驚懼圖像學=Horrific Iconography; 西藏=Tibet; 墓地心像=Smashna Imagery |
| 摘要 | 一般認為，怛特羅佛教的驚懼圖像學是緣自西藏本土傳統的黑色魔法與黃教的儀式。而此即意謂著，驚懼圖像學與佛教的源起或傳統完全無關，乃是在佛教以外的影響之下發展出來的。但是，我在這篇文篇裏卻想致力於呈現驚懼圖像學與佛教本身最古老的傳統有極深的根源。我們能夠從對於佛陀禁欲苦修之後的衰弱軀體的描述，以及佛陀靈智開悟之前的惡魔誘惑裏追溯其源。當然，還有比這兩種情況更早更直接的原因，即：為了讓僧侶超越並厭惡肉身，乃指示僧侶去墓地凝視腐朽的屍體數分鐘的這項冥想修行。這是觸及怛特羅佛教的墓地心像和驚懼圖像學的最明顯提示。 It is generally accepted that the horrific iconography of Buddhist tantrism was developed in Tibet in Tibet from indigenous traditions of black magic and shamanic rites. This would mean that this iconography is extraneous to the original tradition of Buddhism and only developed under outside influence. In this paper I try toshow that the horrific iconography has deep roots in the oldast tradution of Buddhism itself. We can trace its origins in the descriptions of the emaciated body of the Buddha after his ascetic practices and also in the demonic temptations of the Buddha previous to his illumonation. But an even more direct antecedent we can see it in the meditation practice prescribed to the monks to go to the smashana(Cemetery) and contemplate a corpse in order to develop detachment and disgust for the human body. This is the most obvious antecedent to the smashana imagery and horrific iconography of tantric Buddhism. |
| 點閱次數 | 720 |
| 建檔日期 | 2007.11.29 |
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