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| 白居易禪詩研究 | ||
| 作者 | 莊美緩 (著)=Chuang, Mei-huan (au.) |
|---|---|
| 出版日期 | 2005 |
| 頁次 | 127 |
| 出版者 | 國立高雄師範大學 |
| 出版者網址 | http://www.nknu.edu.tw/ |
| 出版地 | 高雄市, 臺灣 [Kaohsiung shih, Taiwan] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 中文=Chinese |
| 學位類別 | 碩士 |
| 校院名稱 | 國立高雄師範大學 |
| 系所名稱 | 國文教學碩士班 |
| 指導教授 | 釋依空 |
| 畢業年度 | 94 |
| 關鍵詞 | 白居易; 禪詩 |
| 摘要 | 佛教傳入中國，教理與儒家、道家相滲透調和，成中國佛教，分立許多宗派。主張「明心見性」、「平常心是道」的禪宗，最受文人士大夫喜好，盛行於唐朝。白居易在這樣潮流，思想、人格、詩風受到極大影響，詩禪契合，創作膾炙人口禪詩，頗為可觀，值得研究。本文針對白居易禪詩研究，先界定禪詩意義，凡有禪意者均列為研究範圍，並比較目前研究成果，以肯定本研究的價值；進一步了解中唐詩歌的文化風格與社會思潮之政治背景，及當代儒學、禪學、道學在社會流行的狀況，三學互融的結果；再看白居易與佛教的因緣，涵概家學淵源、個人習佛的心路歷程、方外交遊的直接關係，使他佛學的觀點有獨到的見地，在理性追求上，擁有三學匯通的智慧。 以禪入詩，一窺白居易禪詩創作之緣起與呈現之類型，白居易一心歸向佛法，創作禪悟詩。詩禪均求內心體悟，心境契合，相輔相益。白居易之禪詩可約以禪之妙理、典故、事跡、習法、意趣等入詩，豐富詩歌創作內容；本研究發現白居易禪詩深層心靈建構，主題有體悟浮生如夢，知所隨緣自適，面對現實考驗；揭示常淨自性，日子清新無欲；尋求無念無相，內心平衡安適；表明佛性平等，依因待緣而起；揭示妙悟即真，容攝宇宙萬物，供給不盡詩興；趨向任性逍遙，維持樂觀曠達心境；探求見性成佛，就要照見五蘊皆空。 白居易禪詩呈現的審美趣味，是自然清真，美的最高原則；平淡率直，語言樸質清淡；幽靜邈遠，空虛心接納萬有；理語成趣，富啟示聯想意趣；奇妙理趣，反常合道構思；詼諧風趣，參透人生世相的感動；妙悟凝神，徹悟妙理；翻疊理解，有非邏輯性隨機體悟的機鋒爭辯。最後結論，禪心不能離開現實世界而證得人類主體的本心真如，白居易禪詩充滿無限旨趣。 As Buddhism was being transmitted into China, its teachings were intermixed with Confucianism and Taoism, forming Chinese Buddhism and the basis for the establishment of many different schools. Zen Buddhism, holding views such as “the enlightened mind sees nature” and “the everyday mind is the Way,” was held in high regard by scholars and high officials, making it prominent in the Tang Dynasty. The thinking, character, and poetic style of Bai Juyi were greatly influenced by these times. He showed that poetry and Zen were indeed compatible, creating universally praised Zen poetry which stood out from the rest, making him deserving of further research. Since this paper researches the Zen poetry of Bai Juyi, a definition for Zen poetry had to be found. All poems with an aura of Zen were included in the scope of this research, and more recent research results have confirmed the value of this research. It should increase the understanding of the political background of the cultural style and the social thought of mid-Tang poems and songs, as well as the understanding of popularity in contemporary society of Confucianism, Zen Buddhism, and Taoism, and the results of the intermingling of the Three Schools. This paper will reexamine the relationship between Bai Juyi and Buddhism, covering the direct connections of his deep ancestral roots, his personal journey in the study of Buddhism, and his travels to learn from famous masters, which gave a unique perspective to his Buddhist viewpoint. In his search for reasoning and truth, he came into possession of the wisdom from the interflow of the Three Schools.Approaching poetry through the theme of Zen, people examine the types of origins and appearances of Bai Juyi’s Zen works. Bai Juyi consistently returned to the Dharma, creating poems of Zen awakening. Poetry and Zen both seek inner awakening, as their mindsets are compatible, and they mutually benefit each other. The Zen poetry of Bai Juyi uses the deep reasoning, allusions, historical lessons, study methods, and beautiful language of Zen, enriching the creative content of these works of poetry. This research discovered that the Zen poetry of Bai Juyi is deeply layered with a spiritual structure, with themes of realizing that life resembles a dream, knowing that one determines one’s own destiny, and facing the trials of reality. The other themes of his Zen poetry are revealing the eternally pure self-nature makes life pure, fresh, and free from desires. Searching for no-thought and no-image, the mind becomes balanced and stable. Clarifying the equality of Buddha-nature, follow destiny to begin all tasks. Revealing the true awakening and accepting the totality of the universe provides unlimited poetic inspiration. Always insisting on an unfettered life maintains a positive and broad mind. Searching to see true nature and to become a Buddha will illuminate the emptiness of the Five Aggregates. The appreciation of beauty displayed in the Zen poetry of Bai Juyi is natural and pure, displaying the highest principles of beauty. How do people describe this Zen poetry? Plain and straightforward, the language is simple and clear. Secluded and remote, an empty mind accepts the cosmos. Incorporating sayings in a pleasant way inspires associations with |
| 目次 | 第一章 緒論 第一節 研究動機與方法 第二節 目前研究成果 第二章 中唐詩歌的文化風格與社會思潮 第一節 政治背景 第二節 儒學復興 第三節 禪學流行 第四節 道教昌盛 第五節 三教融合 第三章 白居易與佛教的因緣 第一節 家學淵源 一、父母 二、兄弟 白幼文、白行簡、金剛奴、白敏中 三、妻子、戀人 第二節 個人心路歷程 一、探究佛法 二、禪修「心要」 三、般若空義理發揮 四、廣大佛法的教化 五、圓通清高的人格 第三節 方外交游 一、北宗禪 凝公、智如 二、南宗禪 智常、惟寬、宗密、神照、智満、自遠、如滿 三、淨土宗 神凑、清閑 四、牛頭宗 道林 五、其他 第四節 習佛觀點 一、理性的追求 二、融合儒佛道 第四章 白居易禪詩創作之緣起與呈現之類型 第一節 白居易禪詩創作之緣起與詩禪的契合 一、禪詩創作的緣起 二、詩禪契合 第二節、白居易禪詩呈現之類型 一、掇禪宗典故入詩 二、援禪宗妙理入詩 三、寓禪理意趣入詩 四、取禪心智慧入詩 五、舉禪學事跡入詩 第五章白居易禪詩深層心靈的建構 第一節、體悟浮生如夢 第二節、尋求無念無相 第三節、揭示常淨自性 第四節、發揮妙悟即真 第五節、表明佛性平等 第六節、探求見性成佛 第七節、趨向任性逍遙 第六章 白居易禪詩呈現的審美趣味 第一節、平淡率直 第二節、自然清真 第三節、奇妙理趣 第四節、幽靜邈遠 第五節、詼諧風趣 第六節、翻疊理解 第七節、理語成趣 第八節、妙悟凝神 第七章 結論 參考書目 |
| 點閱次數 | 632 |
| 建檔日期 | 2007.03.29 |
| 更新日期 | 2015.06.05 |
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