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| Disciplinary theatrics: Public reprimand and the textual performance of affect at Sera Monastery, India | ||
| 作者 | Lempert, M. P. |
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| 出處題名 | Language & Communication |
| 卷期 | v.26 n.1 |
| 出版日期 | 2006 |
| 頁次 | 15 |
| 出版者 | Pergamon |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | arts facilities; performing arts; religious institutions; semiotics |
| 摘要 | This article examines 'public reprimand' (tshogs gtam) at Sera Monastery, a major Tibetan Buddhist monastery of the Geluk sect in India. This disciplinary practice is shown to be of duplex textual and theatrical complexity. In this form of reprimand, the Disciplinarian seeks to (re)form the dispositions of monastic subjects by textually projecting, juxtaposing, and evaluating morally weighted voices. As the Disciplinarian stages this moral-didactic drama - this 'serious theatre', to borrow Foucault's expression - he adopts a culturally prescribed stance on his own affective performance. In investigating the textuality of voice, stance, and affectivity in this form of public reprimand, this article seeks to rekindle interest in 'penal semiotics', a vector of inquiry that Foucault initiated. |
| ISSN | 02715309 |
| 點閱次數 | 575 |
| 建檔日期 | 2006.09.12 |
| 更新日期 | 2014.05.15 |
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