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| Tibetan Folk Opera: "Lhamo" in Contemporary Cultural Politics | ||
| 作者 | Ahmed, Syed Jamil (著) |
|---|---|
| 出處題名 | Asian Theatre Journal |
| 卷期 | v.23 n.1 Spring |
| 出版日期 | 2006 |
| 頁次 | 149 - 178 |
| 出版者 | University of Hawai'i Press |
| 出版者網址 | https://uhpress.hawaii.edu/journals/ |
| 出版地 | Honolulu, HI, US [檀香山, 夏威夷州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | art schools; opera; China; theater; Asia |
| 摘要 | Lhamo, the popularfolk opera of Tibet is a genre in which the contested politics of the Tibetan diaspora and the People's Republic of China are displayed. This essay notes the practice of the art by the Tibetan refugee community in India and beyond, where it evokes nostalgia for a lost existence and the struggle for a return to the Tibetan Buddhist homeland. Meanwhile the art has been redeveloped in the People's Republic of China in the wake of the Cultural Revolution and used to support Chinese claims to Tibet. Lhamo presents a case study of a particular art and how it can be articulated to different political and economic ends. |
| 目次 | Lhamo at McLeod Ganj 150 (De/Re )Articulating the Diasporic Field 155 Articulating Religion 161 Articulating Tradition 163 Play(ing) of Culture and Power: Whither Resistance? 172 |
| ISSN | 07425457 (P); 15272109 (E) |
| 點閱次數 | 257 |
| 建檔日期 | 2006.09.12 |
| 更新日期 | 2022.05.26 |
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