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| On the Quiet: An Interview with Stefanie Marlis | ||
| 作者 | Elshtain, Eric P. (著) |
|---|---|
| 出處題名 | Chicago Review |
| 卷期 | v.51 n.3 Autumn |
| 出版日期 | 2005 |
| 頁次 | 94 - 102 |
| 出版者 | University of Chicago |
| 出版者網址 | https://www.uchicago.edu/en |
| 出版地 | Chicago, IL, US [芝加哥, 伊利諾伊州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | authors; fiction; poetics; poetry; poets |
| 摘要 | This article presents an interview with poet Stefanie Marlis. Marlis' poetry is often described as spare, delicate, and intimate-words that are ultimately too precious to describe the burly things Marlis does with words and phrases. Her poetry is not adjectival; it's built on the actual, not the accidental--there is no difference between word and life. She is the author of four collections of poetry: Slow Joy, rife, fine, and cloudlife. The recipient of the Joseph Henry Jackson Award, and the Brittingham Prize, among other awards, she works as a freelance copywriter. She says that writing copy is like writing poetry, but the practices are also as different as a pool is from a river. According to Marlis, her writing is influenced by Buddhism. She thinks that poetic strategies are useless, worse than useless. They are damaging to the process of fiction writing. |
| ISSN | 00093696 (P); 23275804 (E) |
| 點閱次數 | 327 |
| 建檔日期 | 2006.09.12 |
| 更新日期 | 2024.04.10 |
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