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| Oneiric Horizons and Dissolving Bodies: Buddhist Cave Shrine as Mirror Hall | ||
| 作者 | Wang, Eugene Yuejin (著) |
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| 出處題名 | Art History |
| 卷期 | v.27 n.4 |
| 出版日期 | 2004.09 |
| 頁次 | 494 - 521 |
| 出版者 | Wiley |
| 出版者網址 | https://www.wiley.com/en-sg |
| 出版地 | UK [英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | 石窟=cave; 佛教人物=Buddhist |
| 摘要 | Buddhist cave shrines in medieval China amount to an optical theatre. Tracing the history of these mirror halls, the author argues that the model of the mirror-hall underlies the conception of Chinese Buddhist cave shrines. Focusing on an eighth-century cave at Dunhuang, the author demonstrates that the murals covering its ceiling slopes and walls combine to map out a temporal-spatial continuum that encompasses vast imaginary horizons and cycles of past, present, and future. The resulting virtual space facilitates a meditative practice that dissolves and obliterates the bedrock of the physical surrounding altogether. Pictorial images become oneiric mirror reflections and phantasmatic projections of both Buddhist deities and the perceiving subject. Individual pictorial tableaux derived from disparate Buddhist sutras, rather than ‘illustrating’ the sutras, mark different phases of an implied visualization process and sustain an optical fiction. |
| 目次 | Visual Culture and Buddhist Art 494 Shadow Cave 495 Mirror Hall 497 Cave Shrine as Mirror Hall 503 |
| ISSN | 01416790 (P); 14678365 (E) |
| DOI | 10.1111/j.0141-6790.2004.00435.x |
| 研究類別 | 建築 |
| 研究時代 | 唐代 |
| 研究地點 | 中國 |
| 點閱次數 | 187 |
| 建檔日期 | 2005.09.23 |
| 更新日期 | 2022.04.13 |
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