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| Sounding the spirit of Cambodia: The living tradition of Khmer music and dance-drama in a Washington, D.C. community | ||
| 作者 | Pecore, Joanna Theresa |
|---|---|
| 出版日期 | 2004 |
| 出版者 | University of Maryland, College Park |
| 出版者網址 | http://www.umd.edu/ |
| 出版地 | College Park, MD, US [大學公園市, 馬里蘭州, 美國] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 博士 |
| 校院名稱 | University of Maryland |
| 指導教授 | Robertson, Carol E. |
| 畢業年度 | 2004 |
| 關鍵詞 | Washington, D.C.; Virginia; Maryland; Cambodia; Living tradition; Khmer; Music; Dance-drama; Community |
| 摘要 | Since the Khmer Rouge takeover of Cambodia in 1975, the desire to preserve, reconstruct, and document Khmer performing arts has motivated many important projects that aim to strengthen these traditions worldwide. These projects typically focus on dance and promote the notion that authenticity is linked with ethnicity and the geographical designation, Cambodia. This presentation stands in stark contrast to the reality of the devoted activities of living artists who keep these traditions alive across the globe. Additionally, Khmer music usually exists as an audible yet forgotten soundtrack to these projects. When it is recognized, listings of instruments, descriptions of musical structure, names of ensemble types, and pages of notation (that many Khmer musicians themselves cannot read) frequently overshadow its human dimensions. Major chasms divide current scholarship from musical practice. |
| 點閱次數 | 371 |
| 建檔日期 | 2005.09.23 |
| 更新日期 | 2016.05.30 |
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