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| 試論《十二因緣圖》的審美內涵=The Aesthtic Connotaetion of "Picture of Uheel of Life"Da ga | ||
| 作者 | 達嘎 |
|---|---|
| 出處題名 | 西藏大學學報(社會科學版)=Journal of Tibet University |
| 卷期 | n.1 |
| 出版日期 | 2002 |
| 頁次 | 29 - 32 |
| 出版者 | 西藏大學學報編輯部 |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 十二因緣圖; 審美; 內涵 |
| 摘要 | 《十二因緣圖》[1]是藏傳佛教中闡釋六道輪回、十二因緣以及如何解脫輪回之苦的一幅圖。這種圖常繪于藏傳佛教各寺廟之高殿大門前走廊內側的牆壁上。有讓朝聖者先明六道輪回之苦,再想到死,由死念其如何求佛積善習德,從而提高佛法在虔拜者心目中的地位。下面將以自身對《十二因緣圖》的一點認識,把它視作審美觀照對象,從作品道出的精神意旨來試著論証它的審美內涵。 In Tibetan Buddhism,"the Picture of uheel of Life"is a picture uhieh explains the six worlds of existance,12 experiences of life and how to liberate from from the sufferings of the six worlds.This kind of picture is alwags painted on the walls beside the main gate of most monasteries in Tibet,So that the pilgrims Could understand sufferings of the uheel of life,and then think of death,from uhich people know how to prag and accumulate merit.In this Way,Buddha Dharma Will be improved in the pious pilgrims’mind.The following io the author’s understand about the picture of uheel of life,by uhich the author tends to discuss its aesthetic Connotation. |
| ISSN | 10055738 (P); 10055738 (E) |
| 點閱次數 | 218 |
| 建檔日期 | 2005.04.29 |
| 更新日期 | 2019.10.21 |
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