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Belief in Drama: A Study of the Religious Factors in Ancient Chinese Puppet Dramas |
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| 著者 |
Long, Yanghuan (著)
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Fan, Chen (著)
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| 掲載誌 |
Religions
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| 巻号 | v.14 n.7 |
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| 出版年月日 | 2023.07 |
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| ページ | 18 |
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| 出版者 | MDIP |
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| 出版サイト |
https://www.mdpi.com/
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| 出版地 | Basel, Switzerland [巴塞爾, 瑞士] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | 1. Religions 2023, 14(7), 857.
2. Yanghuan Long
Jiangnan University, China.
3. Chen Fan
Nanjing University of Finance and Economics, China. |
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| キーワード | puppets; exorcism witchcraft; Daoism way of expelling evil spirits; Buddhist belief; drama |
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| 抄録 | Puppets, a kind of wooden figure whose movements are manipulated by artists, were frequently used in ancient Chinese singing and dancing activities and dramas. The uniqueness of substituting human beings for puppets has drawn tremendous attention from scholars. However, despite previous research on the long development process of puppet dramas, a considerable number of details remain neglected, and behind these details lies an abundance of complicated religious factors. Therefore, this paper uses several fragments as entry points in terms of puppet dramas’ modeling, materials, craft, rites, function, artists, organization, and other aspects to comprehensively analyze the influence of witchcraft, Daoism, and Buddhism on China’s puppet dramas. This research first unveils that a ferocious appearance and mahogany as a material, both used in puppets, are outer manifestations to reveal the magical power of witchcraft. Next, the rites performed in Li Yuan Jiao using ritual puppets were characterized by mystery in their implication and ambiguity in their religious sect, which was related to the attempt to hide their notorious identities as wizards on the part of the artists. Third, general puppet artists enjoyed a fairly high social status, conferred by their semi-religionist identity and the puppet dramas’ historical status. Finally, the improvement in the puppet-making process and the emergence of skeleton-style puppets embody the secularization of the spread of Buddhism. |
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| 目次 | Abstract 1
Keywords 1
1. Introduction 1
2. Witchcraft Puppet Dramas with the Concept of “Expelling Evil with Evil” (Yi Xiong Zhi Xiong 以凶制凶) 4
3. Li Yuan Jiao 梨園教: Puppet Dramas in Daoist Activities 6
4. “Head of Dramas” (Baixi Zhi Shou 百戲之首): Puppet Artists’ Social Status 8
5. Eastward Spread of Buddhism: The Improvement in Puppet Manufacturing and the Spread of the Buddhist Void 10
5.1. Dissemination of Woodworking Techniques 11
5.2. Transmission of Buddhist Ideology 12
6. Conclusions 14
Author Contributions 16
Funding 16
Conflicts of Interest 16
Notes 16
References 17 |
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| ISSN | 20771444 (E) |
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| DOI | 10.3390/rel14070857 |
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| ヒット数 | 124 |
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| 作成日 | 2024.06.13 |
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| 更新日期 | 2024.06.17 |
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