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| Hay’s Buddhist philosophy of gestural language | ||
| 著者 | Hall, Joshua M. (著) |
|---|---|
| 掲載誌 | Asian Philosophy: An International Journal of the Philosophical Traditions of the East |
| 巻号 | v.27 n.3 |
| 出版年月日 | 2017 |
| ページ | 175 - 188 |
| 出版者 | Routledge |
| 出版サイト | https://www.routledge.com/ |
| 出版地 | Abingdon, UK [阿賓登, 英國] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 英文=English |
| キーワード | dance; Buddhism; Deborah Hay; gesture; compassion; gender |
| 抄録 | The central role of gestural language in Buddhism is widely acknowledged, as in the story of the Buddha pointing at the moon, the point being the student’s seeing beyond the finger (as object) to its gesture (as act). Gesture’s role in dance is similarly central, as noted by scholars in the emerging interdisciplinary field of dance studies. Unsurprisingly, then, the intersection of these two fields is well-populated, including the formal gestures (called “mudras”) Buddhism inherited from classical Indian dance, and the masked dance of the Mani Rimdu Festival. In this investigation, I will articulate a new Buddhist philosophy of gestural language, based on a new conception of emptiness that I locate in the work of contemporary U.S. choreographer Deborah Hay, as influenced by Nāgārjuna and Zen. And this, finally, suggests that contemporary Western philosophy should incorporate this compassion as a normative dimension to its own theorizing and practice. |
| ISSN | 09552367 (P); 14692961 (E) |
| DOI | https://doi.org/10.1080/09552367.2017.1350334 |
| ヒット数 | 27 |
| 作成日 | 2022.12.26 |
| 更新日期 | 2022.12.26 |
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