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| 『身若出壁』的吐火羅粟特壁畫 --以尉遲乙僧為線索=Impressions of Space in Medieval Tocharian and Sogdian Murals as Hinted by Yuchi Yiseng’s Painting Style | ||
| 著者 | 任平山 (著)=Ren, Ping-shan (au.) |
|---|---|
| 掲載誌 | 敦煌研究=Dunhuang Research |
| 巻号 | n.1 (總號=n.149) |
| 出版年月日 | 2015.02 |
| ページ | 46 - 58 |
| 出版者 | 敦煌研究編輯部 |
| 出版サイト | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| ノート | 作者單位：西南交通大學藝術與傳播學院 |
| キーワード | 尉遲乙僧=Yuchi Yiseng; 吐火羅=Tocharia; 粟特=Sogdiana; 于闐=Khotan; 龜茲=Qiuci |
| 抄録 | 初唐西域畫家尉遲乙僧對中國美術史留下過深刻的影響,但因沒有可信的作品存世,對有限古代文獻的闡釋可能導致誤讀。本文通過梳理相關文獻,總結了尉遲乙僧的繪畫風格。在此基礎上,重點分析了吐火羅-粟特美術中的相關特征。本文認為,公元7世紀前后吐火羅-粟特壁畫比之于闐,更為充分地體現了『身若出壁』的空間效果。 As a foreign painter of the early Tang dynasty, Yuchi Yiseng played an important part in Chinese art history. However, without his original paintings, interpretation of the limited documents relevant to him might cause misunderstanding. This paper first sorts out documents of significance and summarizes Yuchi Yiseng’s painting style, then discusses the related painting styles of medieval Tocharian and Sogdian murals.Finally, it draws the conclusion that, compared to Khotanese paintings, Tocharian and Sogdian murals around the 7th century indicate a better impression of space, as if they were executed "outside the walls." |
| ISSN | 10004106 (P) |
| ヒット数 | 526 |
| 作成日 | 2016.06.02 |
| 更新日期 | 2018.05.28 |
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