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蓬溪寶梵寺明代壁畫羅漢圖像考察=An Investigation of The Arhat Images on The Ming Murals of Baofan Temple Pengxi County |
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| 著者 |
范麗娜 (著)=Fan, Lina (au.)
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| 掲載誌 |
故宮博物院院刊=Palace Museum Journal
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| 巻号 | n.4 |
| 出版年月日 | 2011 |
| ページ | 36 - 70 + 160 |
| 出版者 | 紫禁城出版社 |
| 出版サイト |
http://www.culturefc.cn/index/product.jhtml?act=index
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| 出版地 | 北京, 中國 [Beijing, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| キーワード | 蓬溪寶梵寺=Baofan Temple of Pengxi County; 明代壁畫=the murals of the Ming Dynasty; 羅漢圖像=Arhat images |
| 抄録 | 蓬溪寶梵寺壁畫繪制于景泰元年(1450)前後,是南方明代寺院壁畫中的代表性作品。壁畫主體為羅漢圖像,基於《法住記》十六羅漢記述描繪。羅漢造型主要繼承蜀地五代貫休式樣,又吸收中原北方同時代羅漢像因素而自成一格,兼具世俗化、寫實性與裝飾性特點。壁畫構圖突破傳統羅漢圖像的人物組合模式,並借鑒水陸畫的空間表現手法,創造出自由多變、天人合一的境界。作品一反同時期寺院壁畫的程式化風氣,表現出一定的獨創性和文人意趣。該圖像為探求羅漢信仰與禪宗思想的關系提供了重要線索。
The murals preserved in Baofan Temple of Pengxi County is dated back to the first year of Emperor Jingtai’s( 景泰 ) reign (circa 1450), which stand out excellent among the temple murals of the Ming Dynasty. They mainly include the images of the sixteen arhats which are depicted on the basis of Fazhu-sutra (Fa Zhu Ji) following the pattern by Guan Xiu who was born in the Shu State of the Five Dynasties, also taking elements from the arhat figures found in the northern central China, so as to form an unique style of their own by being secularized, realistic and decorative. The composition of the murals surpasses the traditional mode but refers to the spatial techniques of the Shuilu painting, creating a free and variant effect that implies the harmony between man and universe. The artistic expression of the murals goes against the standardized styles of the temple mural painting. In this sense, they contribute noticeable clues to examine the relationship between arhat belief and Zen thoughts. |
| 目次 | 一、寶梵寺壁畫及其研究狀況 36 二、寶梵寺羅漢尊格辨識 41 三、寶梵寺羅漢造型分析 43 四、寶梵寺羅漢的配置關係 58 五、結語 64 |
| ISSN | 04527402 (P); 04527402 (E) |
| ヒット数 | 267 |
| 作成日 | 2013.10.17 |
| 更新日期 | 2019.09.19 |

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