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| 18世紀清宮佛堂供龕的樣式及其藝術特徵=The types and artistic characteristics of 18th century Qing palace Buddhist donor niches | ||
| 著者 | 何芳 (著)=He, Fang (au.) |
|---|---|
| 掲載誌 | 故宮博物院院刊=Palace Museum Journal |
| 巻号 | n.4 |
| 出版年月日 | 2005 |
| ページ | 67 - 86 |
| 出版者 | 紫禁城出版社 |
| 出版サイト | http://www.culturefc.cn/index/product.jhtml?act=index |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料の種類 | 期刊論文=Journal Article |
| 言語 | 中文=Chinese |
| ノート | 作者任職於故宮博物院宮廷部 |
| キーワード | 清宮佛堂=Buddhist temples of the Qing dynasty palace; 供龕=tributary niches; 樣式=typology; 藝術特徵=artistic characteristics |
| 抄録 | 清宮所供奉的藏區各地進貢和造辦處鑄造的佛像甚多,但長期以來由於受保存條件所限,大量佛像與所裝供之供龕被分置庋藏,學者們在研究佛教造像的同時並未對其供奉形式予以足夠重視。流覽清宮造辦處檔案可以發現,18世紀有關宮中造龕的記載不勝枚舉。本文擬從歸納清宮供龕的基本樣式和龕、像關係出發,對供龕的藝術特徵及其所體現的時代精神和宗教情感等進行嘗試性分析,以期全面把握清代宮廷藏傳佛教藝術的整體特徵。 In the Qing dynasty the Gugong acquired a large collection of tributary Buddhist niches donated by Tibetan areas, as well as Buddhist niches produced by the Zaobanchu’s palace workshops. Because of restraints required for preservation, most of these items and other Buddhist statuary have, for a long period, been held in closed collections. At the same time these articles have been largely disregarded by scholars. Surveying the archives of the Qing dynasty Zaobanchu,, we discover that there are many 18th century records regarding Buddhist niches. This article examines the archive’s records regarding the basic types of Buddhist niche presented to the Qing palace and their relationship to other niches and Buddhist statuary to present a tentative analysis of the artistic characteristics of tributary niches, their temporal aspects and their religious sense. |
| 目次 | 一、清宮大量制龕的緣起、機構和流程 67 二、供龕的基本式樣及其與佛像的關係 70 (一)小物大作 : 擬傳統建築樣式供龕 72 (二)借題發揮 : 擬傳統器物造型 78 (三)供龕樣式與佛像的組合關係 81 三、清宮供龕的藝術特徵 82 |
| ISSN | 04527402 (P); 04527402 (E) |
| ヒット数 | 860 |
| 作成日 | 2010.08.11 |
| 更新日期 | 2019.09.18 |
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